{"title":"Scimitar","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eBorn in Beirut in the late 1970s, Tarek Dem came of age against a backdrop of conflict and chaos. Confined indoors during the war years, he built his own creative universe — Lego, drawing, fantasised weapons and war machines. \u003cbr\u003e\u003cbr\u003eFrom an early age, the pages of Métal Hurlant became a portal to another world — Moebius, Druillet, Caza and Juan Giménez feeding a visual imagination that was already hungry for the dark, the fantastical and the extreme. These were the seeds of an obsessive visual language that would define his work for decades. \u003cbr\u003e\u003cbr\u003eIn 1989 he moved to Paris, plunging into graffiti in his early teens. At 13, he bought his first record solely based on the cover — Iron Maiden’s The Number of the Beast — a moment that crystallised a lifelong fascination with the dark, fantastical imagery of metal album art. Paris opened the doors to a whole wider visual universe that had been out of reach in Lebanon — one he consumed voraciously and made entirely his own.\u003cbr\u003e\u003cbr\u003eNow 48, his practice spans graffiti, painting, installation and tattooing. He pushes a subject to its limits, until it becomes automatic — then abandons it. Like an album played too many times, he sets it aside, only to rediscover it years later with fresh eyes. Restless, prolific and allergic to repetition. \u003cbr\u003e\u003cbr\u003eSince 2015, tattooing has become a central pillar of his practice. A discipline he had long been fascinated by, finally pursued — and one where all his influences converge. A craft governed by collaboration and client vision, it operates under different rules to his painting, and he embraces that tension.\u003cbr\u003e\u003cbr\u003eDark, unpredictable and impossible to categorise, Tarek remains one of the most singular voices to emerge from the collision of street culture, comic mythology and fine art.\u003c\/span\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"tarek-dem-scimitar-01-160-x-80mm-original-artwork","title":"Tarek Dem, Scimitar 01, 160 x 80mm, Original Artwork","description":"\u003cp\u003eAcrylic ink and gouache on watercolour paper. 160 x 80mm.\u003c\/p\u003e\n\n\u003cp\u003eBorn in Beirut in the late 1970s, Tarek Dem came of age against a backdrop of conflict and chaos. Confined indoors during the war years, he built his own creative universe — Lego, drawing, fantasised weapons and war machines.\u003c\/p\u003e \n\n\u003cp\u003eFrom an early age, the pages of Métal Hurlant became a portal to another world — Moebius, Druillet, Caza and Juan Giménez feeding a visual imagination that was already hungry for the dark, the fantastical and the extreme. These were the seeds of an obsessive visual language that would define his work for decades.\u003c\/p\u003e \n\n\u003cp\u003eIn 1989 he moved to Paris, plunging into graffiti in his early teens. At 13, he bought his first record solely based on the cover — Iron Maiden’s The Number of the Beast — a moment that crystallised a lifelong fascination with the dark, fantastical imagery of metal album art. 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A craft governed by collaboration and client vision, it operates under different rules to his painting, and he embraces that tension.\u003c\/p\u003e\n\n\u003cp\u003eDark, unpredictable and impossible to categorise, Tarek remains one of the most singular voices to emerge from the collision of street culture, comic mythology and fine art.\u003c\/p\u003e","brand":"Tarek Dem","offers":[{"title":"160 x 80mm","offer_id":67637478293749,"sku":"SCIMITAR01","price":100.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/Screenshot2026-10-07at5.02.19pm.png?v=1791352960"},{"product_id":"tarek-dem-scimitar-02-160-x-80mm-original-artwork","title":"Tarek Dem, Scimitar 02, 160 x 80mm, Original Artwork","description":"\u003cp\u003eAcrylic ink and gouache on watercolour paper. 160 x 80mm.\u003c\/p\u003e\n\n\u003cp\u003eBorn in Beirut in the late 1970s, Tarek Dem came of age against a backdrop of conflict and chaos. Confined indoors during the war years, he built his own creative universe — Lego, drawing, fantasised weapons and war machines.\u003c\/p\u003e \n\n\u003cp\u003eFrom an early age, the pages of Métal Hurlant became a portal to another world — Moebius, Druillet, Caza and Juan Giménez feeding a visual imagination that was already hungry for the dark, the fantastical and the extreme. These were the seeds of an obsessive visual language that would define his work for decades.\u003c\/p\u003e \n\n\u003cp\u003eIn 1989 he moved to Paris, plunging into graffiti in his early teens. At 13, he bought his first record solely based on the cover — Iron Maiden’s The Number of the Beast — a moment that crystallised a lifelong fascination with the dark, fantastical imagery of metal album art. 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A craft governed by collaboration and client vision, it operates under different rules to his painting, and he embraces that tension.\u003c\/p\u003e\n\n\u003cp\u003eDark, unpredictable and impossible to categorise, Tarek remains one of the most singular voices to emerge from the collision of street culture, comic mythology and fine art.\u003c\/p\u003e","brand":"Tarek Dem","offers":[{"title":"160 x 80mm","offer_id":67637478555893,"sku":"SCIMITAR02","price":100.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/Screenshot2026-10-07at5.02.56pm.png?v=1791352994"},{"product_id":"tarek-dem-scimitar-03-148-x-210mm-a5-original-artwork","title":"Tarek Dem, Scimitar 03, 148 x 210mm (A5), Original Artwork","description":"\u003cp\u003eAcrylic ink and gouache on watercolour paper. 148 x 210mm (A5).\u003c\/p\u003e\n\n\u003cp\u003eBorn in Beirut in the late 1970s, Tarek Dem came of age against a backdrop of conflict and chaos. 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Paris opened the doors to a whole wider visual universe that had been out of reach in Lebanon — one he consumed voraciously and made entirely his own.\u003c\/p\u003e\n\n\u003cp\u003eNow 48, his practice spans graffiti, painting, installation and tattooing. He pushes a subject to its limits, until it becomes automatic — then abandons it. Like an album played too many times, he sets it aside, only to rediscover it years later with fresh eyes. Restless, prolific and allergic to repetition.\u003c\/p\u003e \n\n\u003cp\u003eSince 2015, tattooing has become a central pillar of his practice. A discipline he had long been fascinated by, finally pursued — and one where all his influences converge. A craft governed by collaboration and client vision, it operates under different rules to his painting, and he embraces that tension.\u003c\/p\u003e\n\n\u003cp\u003eDark, unpredictable and impossible to categorise, Tarek remains one of the most singular voices to emerge from the collision of street culture, comic mythology and fine art.\u003c\/p\u003e","brand":"Tarek Dem","offers":[{"title":"310 x 310mm","offer_id":67637486190837,"sku":"SCIMITAR32","price":700.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/Screenshot2026-10-07at4.58.22pm.png?v=1791352722"},{"product_id":"tarek-dem-scimitar-33-310-x-410mm-original-artwork","title":"Tarek Dem, Scimitar 33, 310 x 410mm, Original Artwork","description":"\u003cp\u003eAcrylic ink and gouache on watercolour paper. 310 x 410mm.\u003c\/p\u003e\n\n\u003cp\u003eBorn in Beirut in the late 1970s, Tarek Dem came of age against a backdrop of conflict and chaos. Confined indoors during the war years, he built his own creative universe — Lego, drawing, fantasised weapons and war machines.\u003c\/p\u003e \n\n\u003cp\u003eFrom an early age, the pages of Métal Hurlant became a portal to another world — Moebius, Druillet, Caza and Juan Giménez feeding a visual imagination that was already hungry for the dark, the fantastical and the extreme. These were the seeds of an obsessive visual language that would define his work for decades.\u003c\/p\u003e \n\n\u003cp\u003eIn 1989 he moved to Paris, plunging into graffiti in his early teens. At 13, he bought his first record solely based on the cover — Iron Maiden’s The Number of the Beast — a moment that crystallised a lifelong fascination with the dark, fantastical imagery of metal album art. Paris opened the doors to a whole wider visual universe that had been out of reach in Lebanon — one he consumed voraciously and made entirely his own.\u003c\/p\u003e\n\n\u003cp\u003eNow 48, his practice spans graffiti, painting, installation and tattooing. He pushes a subject to its limits, until it becomes automatic — then abandons it. Like an album played too many times, he sets it aside, only to rediscover it years later with fresh eyes. Restless, prolific and allergic to repetition.\u003c\/p\u003e \n\n\u003cp\u003eSince 2015, tattooing has become a central pillar of his practice. A discipline he had long been fascinated by, finally pursued — and one where all his influences converge. A craft governed by collaboration and client vision, it operates under different rules to his painting, and he embraces that tension.\u003c\/p\u003e\n\n\u003cp\u003eDark, unpredictable and impossible to categorise, Tarek remains one of the most singular voices to emerge from the collision of street culture, comic mythology and fine art.\u003c\/p\u003e","brand":"Tarek Dem","offers":[{"title":"310 x 410mm","offer_id":67637486321909,"sku":"SCIMITAR33","price":850.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/Screenshot2026-10-07at5.19.54pm.png?v=1791354012"},{"product_id":"tarek-dem-scimitar-34-360-x-510mm-original-artwork","title":"Tarek Dem, Scimitar 34, 360 x 510mm, Original Artwork","description":"\u003cp\u003eAcrylic ink and gouache on watercolour paper. 360 x 510mm.\u003c\/p\u003e\n\n\u003cp\u003eBorn in Beirut in the late 1970s, Tarek Dem came of age against a backdrop of conflict and chaos. Confined indoors during the war years, he built his own creative universe — Lego, drawing, fantasised weapons and war machines.\u003c\/p\u003e \n\n\u003cp\u003eFrom an early age, the pages of Métal Hurlant became a portal to another world — Moebius, Druillet, Caza and Juan Giménez feeding a visual imagination that was already hungry for the dark, the fantastical and the extreme. These were the seeds of an obsessive visual language that would define his work for decades.\u003c\/p\u003e \n\n\u003cp\u003eIn 1989 he moved to Paris, plunging into graffiti in his early teens. At 13, he bought his first record solely based on the cover — Iron Maiden’s The Number of the Beast — a moment that crystallised a lifelong fascination with the dark, fantastical imagery of metal album art. Paris opened the doors to a whole wider visual universe that had been out of reach in Lebanon — one he consumed voraciously and made entirely his own.\u003c\/p\u003e\n\n\u003cp\u003eNow 48, his practice spans graffiti, painting, installation and tattooing. He pushes a subject to its limits, until it becomes automatic — then abandons it. Like an album played too many times, he sets it aside, only to rediscover it years later with fresh eyes. Restless, prolific and allergic to repetition.\u003c\/p\u003e \n\n\u003cp\u003eSince 2015, tattooing has become a central pillar of his practice. A discipline he had long been fascinated by, finally pursued — and one where all his influences converge. A craft governed by collaboration and client vision, it operates under different rules to his painting, and he embraces that tension.\u003c\/p\u003e\n\n\u003cp\u003eDark, unpredictable and impossible to categorise, Tarek remains one of the most singular voices to emerge from the collision of street culture, comic mythology and fine art.\u003c\/p\u003e","brand":"Tarek Dem","offers":[{"title":"360 x 510mm","offer_id":67637486584053,"sku":"SCIMITAR34","price":1000.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/Screenshot2026-10-07at5.21.40pm.png?v=1791354114"},{"product_id":"tarek-dem-scimitar-35-360-x-510mm-original-artwork","title":"Tarek Dem, Scimitar 35, 360 x 510mm, Original Artwork","description":"\u003cp\u003eAcrylic ink and gouache on watercolour paper. 360 x 510mm.\u003c\/p\u003e\n\n\u003cp\u003eBorn in Beirut in the late 1970s, Tarek Dem came of age against a backdrop of conflict and chaos. Confined indoors during the war years, he built his own creative universe — Lego, drawing, fantasised weapons and war machines.\u003c\/p\u003e \n\n\u003cp\u003eFrom an early age, the pages of Métal Hurlant became a portal to another world — Moebius, Druillet, Caza and Juan Giménez feeding a visual imagination that was already hungry for the dark, the fantastical and the extreme. These were the seeds of an obsessive visual language that would define his work for decades.\u003c\/p\u003e \n\n\u003cp\u003eIn 1989 he moved to Paris, plunging into graffiti in his early teens. At 13, he bought his first record solely based on the cover — Iron Maiden’s The Number of the Beast — a moment that crystallised a lifelong fascination with the dark, fantastical imagery of metal album art. Paris opened the doors to a whole wider visual universe that had been out of reach in Lebanon — one he consumed voraciously and made entirely his own.\u003c\/p\u003e\n\n\u003cp\u003eNow 48, his practice spans graffiti, painting, installation and tattooing. He pushes a subject to its limits, until it becomes automatic — then abandons it. Like an album played too many times, he sets it aside, only to rediscover it years later with fresh eyes. Restless, prolific and allergic to repetition.\u003c\/p\u003e \n\n\u003cp\u003eSince 2015, tattooing has become a central pillar of his practice. A discipline he had long been fascinated by, finally pursued — and one where all his influences converge. A craft governed by collaboration and client vision, it operates under different rules to his painting, and he embraces that tension.\u003c\/p\u003e\n\n\u003cp\u003eDark, unpredictable and impossible to categorise, Tarek remains one of the most singular voices to emerge from the collision of street culture, comic mythology and fine art.\u003c\/p\u003e","brand":"Tarek Dem","offers":[{"title":"360 x 510mm","offer_id":67637486813429,"sku":"SCIMITAR35","price":1000.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/Screenshot2026-10-07at5.22.28pm.png?v=1791354167"},{"product_id":"tarek-dem-scimitar-36-360-x-510mm-original-artwork","title":"Tarek Dem, Scimitar 36, 360 x 510mm, Original Artwork","description":"\u003cp\u003eAcrylic ink and gouache on watercolour paper. 360 x 510mm.\u003c\/p\u003e\n\n\u003cp\u003eBorn in Beirut in the late 1970s, Tarek Dem came of age against a backdrop of conflict and chaos. Confined indoors during the war years, he built his own creative universe — Lego, drawing, fantasised weapons and war machines.\u003c\/p\u003e \n\n\u003cp\u003eFrom an early age, the pages of Métal Hurlant became a portal to another world — Moebius, Druillet, Caza and Juan Giménez feeding a visual imagination that was already hungry for the dark, the fantastical and the extreme. These were the seeds of an obsessive visual language that would define his work for decades.\u003c\/p\u003e \n\n\u003cp\u003eIn 1989 he moved to Paris, plunging into graffiti in his early teens. At 13, he bought his first record solely based on the cover — Iron Maiden’s The Number of the Beast — a moment that crystallised a lifelong fascination with the dark, fantastical imagery of metal album art. 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A craft governed by collaboration and client vision, it operates under different rules to his painting, and he embraces that tension.\u003c\/p\u003e\n\n\u003cp\u003eDark, unpredictable and impossible to categorise, Tarek remains one of the most singular voices to emerge from the collision of street culture, comic mythology and fine art.\u003c\/p\u003e","brand":"Tarek Dem","offers":[{"title":"360 x 510mm","offer_id":67637487304949,"sku":"SCIMITAR36","price":1000.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/Screenshot2026-10-07at5.26.39pm.png?v=1791354415"},{"product_id":"tarek-dem-scimitar-37-360-x-510mm-original-artwork","title":"Tarek Dem, Scimitar 37, 360 x 510mm, Original Artwork","description":"\u003cp\u003eAcrylic ink and gouache on watercolour paper. 360 x 510mm.\u003c\/p\u003e\n\n\u003cp\u003eBorn in Beirut in the late 1970s, Tarek Dem came of age against a backdrop of conflict and chaos. Confined indoors during the war years, he built his own creative universe — Lego, drawing, fantasised weapons and war machines.\u003c\/p\u003e \n\n\u003cp\u003eFrom an early age, the pages of Métal Hurlant became a portal to another world — Moebius, Druillet, Caza and Juan Giménez feeding a visual imagination that was already hungry for the dark, the fantastical and the extreme. These were the seeds of an obsessive visual language that would define his work for decades.\u003c\/p\u003e \n\n\u003cp\u003eIn 1989 he moved to Paris, plunging into graffiti in his early teens. At 13, he bought his first record solely based on the cover — Iron Maiden’s The Number of the Beast — a moment that crystallised a lifelong fascination with the dark, fantastical imagery of metal album art. 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Confined indoors during the war years, he built his own creative universe — Lego, drawing, fantasised weapons and war machines.\u003c\/p\u003e \n\n\u003cp\u003eFrom an early age, the pages of Métal Hurlant became a portal to another world — Moebius, Druillet, Caza and Juan Giménez feeding a visual imagination that was already hungry for the dark, the fantastical and the extreme. These were the seeds of an obsessive visual language that would define his work for decades.\u003c\/p\u003e \n\n\u003cp\u003eIn 1989 he moved to Paris, plunging into graffiti in his early teens. At 13, he bought his first record solely based on the cover — Iron Maiden’s The Number of the Beast — a moment that crystallised a lifelong fascination with the dark, fantastical imagery of metal album art. 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A craft governed by collaboration and client vision, it operates under different rules to his painting, and he embraces that tension.\u003c\/p\u003e\n\n\u003cp\u003eDark, unpredictable and impossible to categorise, Tarek remains one of the most singular voices to emerge from the collision of street culture, comic mythology and fine art.\u003c\/p\u003e","brand":"Tarek Dem","offers":[{"title":"360 x 510mm","offer_id":67637487993077,"sku":"SCIMITAR38","price":1000.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/Screenshot2026-10-07at5.27.50pm.png?v=1791354489"},{"product_id":"tarek-dem-scimitar-39-420-x-594mm-original-artwork","title":"Tarek Dem, Scimitar 39, 420 x 594mm, Original Artwork","description":"\u003cp\u003eAcrylic ink and gouache on watercolour paper. 420 x 594mm.\u003c\/p\u003e\n\n\u003cp\u003eBorn in Beirut in the late 1970s, Tarek Dem came of age against a backdrop of conflict and chaos. Confined indoors during the war years, he built his own creative universe — Lego, drawing, fantasised weapons and war machines.\u003c\/p\u003e \n\n\u003cp\u003eFrom an early age, the pages of Métal Hurlant became a portal to another world — Moebius, Druillet, Caza and Juan Giménez feeding a visual imagination that was already hungry for the dark, the fantastical and the extreme. These were the seeds of an obsessive visual language that would define his work for decades.\u003c\/p\u003e \n\n\u003cp\u003eIn 1989 he moved to Paris, plunging into graffiti in his early teens. At 13, he bought his first record solely based on the cover — Iron Maiden’s The Number of the Beast — a moment that crystallised a lifelong fascination with the dark, fantastical imagery of metal album art. Paris opened the doors to a whole wider visual universe that had been out of reach in Lebanon — one he consumed voraciously and made entirely his own.\u003c\/p\u003e\n\n\u003cp\u003eNow 48, his practice spans graffiti, painting, installation and tattooing. He pushes a subject to its limits, until it becomes automatic — then abandons it. Like an album played too many times, he sets it aside, only to rediscover it years later with fresh eyes. Restless, prolific and allergic to repetition.\u003c\/p\u003e \n\n\u003cp\u003eSince 2015, tattooing has become a central pillar of his practice. A discipline he had long been fascinated by, finally pursued — and one where all his influences converge. A craft governed by collaboration and client vision, it operates under different rules to his painting, and he embraces that tension.\u003c\/p\u003e\n\n\u003cp\u003eDark, unpredictable and impossible to categorise, Tarek remains one of the most singular voices to emerge from the collision of street culture, comic mythology and fine art.\u003c\/p\u003e","brand":"Tarek Dem","offers":[{"title":"420 x 594mm","offer_id":67637488189685,"sku":"SCIMITAR39","price":1200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/Screenshot2026-10-07at5.28.27pm.png?v=1791354525"},{"product_id":"tarek-dem-scimitar-40-420-x-594mm-original-artwork","title":"Tarek Dem, Scimitar 40, 420 x 594mm, Original Artwork","description":"\u003cp\u003eAcrylic ink and gouache on watercolour paper. 420 x 594mm.\u003c\/p\u003e\n\n\u003cp\u003eBorn in Beirut in the late 1970s, Tarek Dem came of age against a backdrop of conflict and chaos. Confined indoors during the war years, he built his own creative universe — Lego, drawing, fantasised weapons and war machines.\u003c\/p\u003e \n\n\u003cp\u003eFrom an early age, the pages of Métal Hurlant became a portal to another world — Moebius, Druillet, Caza and Juan Giménez feeding a visual imagination that was already hungry for the dark, the fantastical and the extreme. These were the seeds of an obsessive visual language that would define his work for decades.\u003c\/p\u003e \n\n\u003cp\u003eIn 1989 he moved to Paris, plunging into graffiti in his early teens. At 13, he bought his first record solely based on the cover — Iron Maiden’s The Number of the Beast — a moment that crystallised a lifelong fascination with the dark, fantastical imagery of metal album art. Paris opened the doors to a whole wider visual universe that had been out of reach in Lebanon — one he consumed voraciously and made entirely his own.\u003c\/p\u003e\n\n\u003cp\u003eNow 48, his practice spans graffiti, painting, installation and tattooing. He pushes a subject to its limits, until it becomes automatic — then abandons it. Like an album played too many times, he sets it aside, only to rediscover it years later with fresh eyes. Restless, prolific and allergic to repetition.\u003c\/p\u003e \n\n\u003cp\u003eSince 2015, tattooing has become a central pillar of his practice. A discipline he had long been fascinated by, finally pursued — and one where all his influences converge. A craft governed by collaboration and client vision, it operates under different rules to his painting, and he embraces that tension.\u003c\/p\u003e\n\n\u003cp\u003eDark, unpredictable and impossible to categorise, Tarek remains one of the most singular voices to emerge from the collision of street culture, comic mythology and fine art.\u003c\/p\u003e","brand":"Tarek Dem","offers":[{"title":"420 x 594mm","offer_id":67637488287989,"sku":"SCIMITAR40","price":1200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/Screenshot2026-10-07at5.20.35pm.png?v=1791354056"},{"product_id":"tarek-dem-scimitar-41-510-x-180mm-to-be-displayed-in-a-panoramic-orientation-original-artwork","title":"Tarek Dem, Scimitar 42, 510 x 180mm (Panorama), Original Artwork","description":"\u003cp\u003eAcrylic ink and gouache on watercolour paper. 510 x 180mm, to be displayed in a panoramic orientation.\u003c\/p\u003e\n\n\u003cp\u003eBorn in Beirut in the late 1970s, Tarek Dem came of age against a backdrop of conflict and chaos. Confined indoors during the war years, he built his own creative universe — Lego, drawing, fantasised weapons and war machines.\u003c\/p\u003e \n\n\u003cp\u003eFrom an early age, the pages of Métal Hurlant became a portal to another world — Moebius, Druillet, Caza and Juan Giménez feeding a visual imagination that was already hungry for the dark, the fantastical and the extreme. These were the seeds of an obsessive visual language that would define his work for decades.\u003c\/p\u003e \n\n\u003cp\u003eIn 1989 he moved to Paris, plunging into graffiti in his early teens. At 13, he bought his first record solely based on the cover — Iron Maiden’s The Number of the Beast — a moment that crystallised a lifelong fascination with the dark, fantastical imagery of metal album art. Paris opened the doors to a whole wider visual universe that had been out of reach in Lebanon — one he consumed voraciously and made entirely his own.\u003c\/p\u003e\n\n\u003cp\u003eNow 48, his practice spans graffiti, painting, installation and tattooing. He pushes a subject to its limits, until it becomes automatic — then abandons it. Like an album played too many times, he sets it aside, only to rediscover it years later with fresh eyes. Restless, prolific and allergic to repetition.\u003c\/p\u003e \n\n\u003cp\u003eSince 2015, tattooing has become a central pillar of his practice. A discipline he had long been fascinated by, finally pursued — and one where all his influences converge. A craft governed by collaboration and client vision, it operates under different rules to his painting, and he embraces that tension.\u003c\/p\u003e\n\n\u003cp\u003eDark, unpredictable and impossible to categorise, Tarek remains one of the most singular voices to emerge from the collision of street culture, comic mythology and fine art.\u003c\/p\u003e","brand":"Tarek Dem","offers":[{"title":"510 x 180mm, to be displayed in a panoramic orientation","offer_id":67637488484597,"sku":"SCIMITAR42","price":700.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/Screenshot2026-10-07at5.05.55pm.png?v=1791353171"},{"product_id":"tarek-dem-scimitar-bk-zine","title":"Tarek Dem, Scimitar, BK\/Zine","description":"\u003cp\u003eA5 sized zine featuring the artwork of Tarek Dem, available only during Dem's SCIMITAR exhibit at Blacksound Records. Each hand numbered copy features a personally customised illustration by Tarek Dem.\u003c\/p\u003e\n\u003cp\u003eBorn in Beirut in the late 1970s, Tarek Dem came of age against a backdrop of conflict and chaos. Confined indoors during the war years, he built his own creative universe — Lego, drawing, fantasised weapons and war machines.\u003c\/p\u003e\n\u003cp\u003eFrom an early age, the pages of Métal Hurlant became a portal to another world — Moebius, Druillet, Caza and Juan Giménez feeding a visual imagination that was already hungry for the dark, the fantastical and the extreme. These were the seeds of an obsessive visual language that would define his work for decades.\u003c\/p\u003e\n\u003cp\u003eIn 1989 he moved to Paris, plunging into graffiti in his early teens. At 13, he bought his first record solely based on the cover — Iron Maiden’s The Number of the Beast — a moment that crystallised a lifelong fascination with the dark, fantastical imagery of metal album art. Paris opened the doors to a whole wider visual universe that had been out of reach in Lebanon — one he consumed voraciously and made entirely his own.\u003c\/p\u003e\n\u003cp\u003eNow 48, his practice spans graffiti, painting, installation and tattooing. He pushes a subject to its limits, until it becomes automatic — then abandons it. Like an album played too many times, he sets it aside, only to rediscover it years later with fresh eyes. Restless, prolific and allergic to repetition.\u003c\/p\u003e\n\u003cp\u003eSince 2015, tattooing has become a central pillar of his practice. A discipline he had long been fascinated by, finally pursued — and one where all his influences converge. A craft governed by collaboration and client vision, it operates under different rules to his painting, and he embraces that tension.\u003c\/p\u003e\n\u003cp\u003eDark, unpredictable and impossible to categorise, Tarek remains one of the most singular voices to emerge from the collision of street culture, comic mythology and fine art.\u003c\/p\u003e","brand":"Tarek Dem","offers":[{"title":"Default Title","offer_id":67637488845045,"sku":"SCIMITAR ZINE","price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/IMG_8619.heic?v=1791371048"},{"product_id":"tarek-dem-scimitar-prints-various","title":"Tarek Dem, Scimitar Prints, Various","description":"\u003cp\u003ePre-order prints of selected works from the show. Prints are dispatched about two weeks after the show closes (last day to order is 23 October). Payment is taken upfront. Printed on 100% cotton lightly textured archival quality etching paper, with no added artificial brighteners.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eBorn in Beirut in the late 1970s, Tarek Dem came of age against a backdrop of conflict and chaos. Confined indoors during the war years, he built his own creative universe — Lego, drawing, fantasised weapons and war machines. \u003cbr\u003e\u003cbr\u003eFrom an early age, the pages of Métal Hurlant became a portal to another world — Moebius, Druillet, Caza and Juan Giménez feeding a visual imagination that was already hungry for the dark, the fantastical and the extreme. These were the seeds of an obsessive visual language that would define his work for decades. \u003cbr\u003e\u003cbr\u003eIn 1989 he moved to Paris, plunging into graffiti in his early teens. At 13, he bought his first record solely based on the cover — Iron Maiden’s The Number of the Beast — a moment that crystallised a lifelong fascination with the dark, fantastical imagery of metal album art. Paris opened the doors to a whole wider visual universe that had been out of reach in Lebanon — one he consumed voraciously and made entirely his own.\u003cbr\u003e\u003cbr\u003eNow 48, his practice spans graffiti, painting, installation and tattooing. He pushes a subject to its limits, until it becomes automatic — then abandons it. Like an album played too many times, he sets it aside, only to rediscover it years later with fresh eyes. Restless, prolific and allergic to repetition. \u003cbr\u003e\u003cbr\u003eSince 2015, tattooing has become a central pillar of his practice. A discipline he had long been fascinated by, finally pursued — and one where all his influences converge. A craft governed by collaboration and client vision, it operates under different rules to his painting, and he embraces that tension.\u003cbr\u003e\u003cbr\u003eDark, unpredictable and impossible to categorise, Tarek remains one of the most singular voices to emerge from the collision of street culture, comic mythology and fine art.\u003c\/span\u003e\u003c\/p\u003e","brand":"Tarek Dem","offers":[{"title":"Scimitar 18 (210 x 297mm – A4)","offer_id":67638597714165,"sku":null,"price":60.0,"currency_code":"AUD","in_stock":true},{"title":"Scimitar 21 (170 x 360mm)","offer_id":67638597746933,"sku":null,"price":60.0,"currency_code":"AUD","in_stock":true},{"title":"Scimitar 30 (310 x 310mm)","offer_id":67638597779701,"sku":null,"price":90.0,"currency_code":"AUD","in_stock":true},{"title":"Scimitar 34 (360 x 510mm)","offer_id":67638597845237,"sku":null,"price":120.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/Screenshot_2026-10-07_at_5.48.16_pm.png?v=1791355709"},{"product_id":"tarek-dem-scimitar-41-420-x-594mm-original-artwork","title":"Tarek Dem, Scimitar 41, 420 x 594mm, Original Artwork","description":"\u003cp\u003eAcrylic ink and gouache on watercolour paper. 420 x 594mm.\u003c\/p\u003e\n\u003cp\u003eBorn in Beirut in the late 1970s, Tarek Dem came of age against a backdrop of conflict and chaos. Confined indoors during the war years, he built his own creative universe — Lego, drawing, fantasised weapons and war machines.\u003c\/p\u003e\n\u003cp\u003eFrom an early age, the pages of Métal Hurlant became a portal to another world — Moebius, Druillet, Caza and Juan Giménez feeding a visual imagination that was already hungry for the dark, the fantastical and the extreme. These were the seeds of an obsessive visual language that would define his work for decades.\u003c\/p\u003e\n\u003cp\u003eIn 1989 he moved to Paris, plunging into graffiti in his early teens. At 13, he bought his first record solely based on the cover — Iron Maiden’s The Number of the Beast — a moment that crystallised a lifelong fascination with the dark, fantastical imagery of metal album art. Paris opened the doors to a whole wider visual universe that had been out of reach in Lebanon — one he consumed voraciously and made entirely his own.\u003c\/p\u003e\n\u003cp\u003eNow 48, his practice spans graffiti, painting, installation and tattooing. He pushes a subject to its limits, until it becomes automatic — then abandons it. Like an album played too many times, he sets it aside, only to rediscover it years later with fresh eyes. Restless, prolific and allergic to repetition.\u003c\/p\u003e\n\u003cp\u003eSince 2015, tattooing has become a central pillar of his practice. A discipline he had long been fascinated by, finally pursued — and one where all his influences converge. A craft governed by collaboration and client vision, it operates under different rules to his painting, and he embraces that tension.\u003c\/p\u003e\n\u003cp\u003eDark, unpredictable and impossible to categorise, Tarek remains one of the most singular voices to emerge from the collision of street culture, comic mythology and fine art.\u003c\/p\u003e","brand":"Tarek Dem","offers":[{"title":"Default Title","offer_id":67643461566709,"sku":"SCIMITAR41","price":1200.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/Screenshot2026-10-08at12.51.34pm.png?v=1791424531"},{"product_id":"tarek-dem-scimitar-42-148-x-210mm-a5-original-artwork","title":"Tarek Dem, Scimitar 43, 148 x 210mm (A5), Original Artwork","description":"\u003cp\u003eInk on watercolour paper. 148 x 210mm (A5).\u003c\/p\u003e\n\n\u003cp\u003eBorn in Beirut in the late 1970s, Tarek Dem came of age against a backdrop of conflict and chaos. Confined indoors during the war years, he built his own creative universe — Lego, drawing, fantasised weapons and war machines.\u003c\/p\u003e \n\n\u003cp\u003eFrom an early age, the pages of Métal Hurlant became a portal to another world — Moebius, Druillet, Caza and Juan Giménez feeding a visual imagination that was already hungry for the dark, the fantastical and the extreme. These were the seeds of an obsessive visual language that would define his work for decades.\u003c\/p\u003e \n\n\u003cp\u003eIn 1989 he moved to Paris, plunging into graffiti in his early teens. At 13, he bought his first record solely based on the cover — Iron Maiden’s The Number of the Beast — a moment that crystallised a lifelong fascination with the dark, fantastical imagery of metal album art. Paris opened the doors to a whole wider visual universe that had been out of reach in Lebanon — one he consumed voraciously and made entirely his own.\u003c\/p\u003e\n\n\u003cp\u003eNow 48, his practice spans graffiti, painting, installation and tattooing. He pushes a subject to its limits, until it becomes automatic — then abandons it. Like an album played too many times, he sets it aside, only to rediscover it years later with fresh eyes. Restless, prolific and allergic to repetition.\u003c\/p\u003e \n\n\u003cp\u003eSince 2015, tattooing has become a central pillar of his practice. A discipline he had long been fascinated by, finally pursued — and one where all his influences converge. A craft governed by collaboration and client vision, it operates under different rules to his painting, and he embraces that tension.\u003c\/p\u003e\n\n\u003cp\u003eDark, unpredictable and impossible to categorise, Tarek remains one of the most singular voices to emerge from the collision of street culture, comic mythology and fine art.\u003c\/p\u003e","brand":"Tarek Dem","offers":[{"title":"148 x 210mm (A5)","offer_id":67643473330421,"sku":"SCIMITAR43","price":160.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/Screenshot2026-10-08at12.58.51pm_18c77d9c-3c27-4da4-8f21-1d8daa1fb087.png?v=1791424835"},{"product_id":"tarek-dem-scimitar-44-148-x-210mm-a5-original-artwork-copy","title":"Tarek Dem, Scimitar 44, 148 x 210mm (A5), Original Artwork","description":"\u003cp\u003eInk on watercolour paper. 148 x 210mm (A5).\u003c\/p\u003e\n\n\u003cp\u003eBorn in Beirut in the late 1970s, Tarek Dem came of age against a backdrop of conflict and chaos. Confined indoors during the war years, he built his own creative universe — Lego, drawing, fantasised weapons and war machines.\u003c\/p\u003e \n\n\u003cp\u003eFrom an early age, the pages of Métal Hurlant became a portal to another world — Moebius, Druillet, Caza and Juan Giménez feeding a visual imagination that was already hungry for the dark, the fantastical and the extreme. These were the seeds of an obsessive visual language that would define his work for decades.\u003c\/p\u003e \n\n\u003cp\u003eIn 1989 he moved to Paris, plunging into graffiti in his early teens. At 13, he bought his first record solely based on the cover — Iron Maiden’s The Number of the Beast — a moment that crystallised a lifelong fascination with the dark, fantastical imagery of metal album art. Paris opened the doors to a whole wider visual universe that had been out of reach in Lebanon — one he consumed voraciously and made entirely his own.\u003c\/p\u003e\n\n\u003cp\u003eNow 48, his practice spans graffiti, painting, installation and tattooing. He pushes a subject to its limits, until it becomes automatic — then abandons it. Like an album played too many times, he sets it aside, only to rediscover it years later with fresh eyes. Restless, prolific and allergic to repetition.\u003c\/p\u003e \n\n\u003cp\u003eSince 2015, tattooing has become a central pillar of his practice. A discipline he had long been fascinated by, finally pursued — and one where all his influences converge. A craft governed by collaboration and client vision, it operates under different rules to his painting, and he embraces that tension.\u003c\/p\u003e\n\n\u003cp\u003eDark, unpredictable and impossible to categorise, Tarek remains one of the most singular voices to emerge from the collision of street culture, comic mythology and fine art.\u003c\/p\u003e","brand":"Tarek Dem","offers":[{"title":"148 x 210mm (A5)","offer_id":67643495612661,"sku":"SCIMITAR44","price":160.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/Screenshot2026-10-08at12.58.55pm.png?v=1791425000"}],"url":"https:\/\/blacksound.com.au\/collections\/scimitar.oembed","provider":"Blacksound Records","version":"1.0","type":"link"}