{"title":"Restocked","description":"\u003cp\u003eRecently restocked titles — back in stock and ready to order.\u003c\/p\u003e","products":[{"product_id":"4dead-anchors-lp-rare-used-vg","title":"4Dead – Anchors LP (Rare \/ Used, VG+)","description":"\u003cp\u003eCanberra grindcore \/ hardcore band 4Dead, sophomore album 'Anchors' released 2012 by Trial and Error Records, mixed at Godcity by Kurt Ballou. Second hand find in very good plus condition all round. The following colour variants were pressed, all limited to 100 copies: Half black \/ half translucent blue with black splatter, solid white, translucent green with solid green splatter.\u003c\/p\u003e","brand":"4Dead","offers":[{"title":"Damaged Cover: Black\/Blue Splatter","offer_id":47087568158965,"sku":"2007251548-05","price":9.95,"currency_code":"AUD","in_stock":true},{"title":"White","offer_id":47492118446325,"sku":"2007251548-05-W","price":24.95,"currency_code":"AUD","in_stock":false},{"title":"Black\/Blue Splatter","offer_id":48333940785397,"sku":"2007251548-05-BB","price":24.95,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/original_5c4a710a-115f-472d-b564-be5ac85ec0ab.jpg?v=1759458261"},{"product_id":"abigail-live-in-tokyo-cd","title":"Abigail – Live in Tokyo CD","description":"Japan's mighty black metal warriors previously unreleased Live In Tokyo album. Limited edition of 300 copies on CD, jewel case. 8 Tracks of blistering full force blackened speed metal! Recorded live at Holiday in Shinjuku, Tokyo 14\/8\/2010. Includes bonus sticker.","brand":"Abigail","offers":[{"title":"Default Title","offer_id":47087569305845,"sku":"DR16CD","price":19.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/original_220d5f79-24ad-4353-96fe-06d52a1da448.jpg?v=1759458269"},{"product_id":"acid-king-busse-woods-lp","title":"Acid King – Busse Woods LP","description":"Busse Woods is the second full-length album by Acid King. The album was originally released in 1999 by Man's Ruin Records, but was reissued in 2004 with bonus tracks, by Small Stone Records, and on vinyl in 2007 by Kreation Records.\nThe album's title (pronounced buss-ee) is the local name for the Ned Brown Forest Preserve, which is located near Chicago. As a teenager, frontwoman Lori S. often met there with friends who, hung out with their trunks open, cranking tunes and selling drugs. After the cops caught on this era ended.","brand":"Acid King","offers":[{"title":"Green and black","offer_id":47087571140853,"sku":"KR07","price":54.95,"currency_code":"AUD","in_stock":false},{"title":"Amethyst Smoke","offer_id":48147669254389,"sku":"KR07-S","price":49.95,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/original_0ecd6ad2-1217-4773-8016-5c13170af672.jpg?v=1759458279"},{"product_id":"aglo-fixate-disgrace-control-torture-lp","title":"Aglo – Fixate \u0026 Disgrace \/ Control \u0026 Torture LP","description":"Captain’s Log, Stardate 78597\nThe crew of the Starship Brutal have been scouring distant galaxies for signs of lifeforms known to praise at the altar of ‘The Almighty Riff’, a force known to be possessed by few, that our crew have come into contact with across our travels. Our ship, commonly known amongst believers’ circles as ‘AGLO’ continues to be a bastion of hope, for others who are in search of slow, down tuned death metal, and aims to provide safe haven to those who are influenced by the musical stylings of Crowbar and Morbid Angel, to name a few.\nWe have finalised a communications broadcast labelled ‘Fixate \u0026amp; Disgrace \/ Control \u0026amp; Torture’ in an effort to spread awareness of our search for intelligent life, who share our vision for a future devoted to the upkeep of The Riff for centuries to come. Crew members Lewis Noke-Edwards, Taylor Young and Brad Boatright have served well and provided their skills to Recording, Mixing and Mastering respectively, and Patrick Galvin and Thomas Sweetman provided artistic guidance for the imagery which will support the broadcast.\nTo use archaic calendar markings and multi-platform devices for lifeforms from other planets, this broadcast will be released unto the cosmos on the 19th of March, in the year 2025 on Vinyl, CD and Digital formats through Oblivious Maximus Records and Bereave in God Records.\nLastly, let me once again remind all listeners and readers that these messages are intended for those only who do not fear absorption into the collective which devotes itself to The Almighty Riff, resistance continues to be futile.\nBrutal. ","brand":"Aglo","offers":[{"title":"Ecomix","offer_id":47087573991669,"sku":"OMR024","price":34.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/original_790bd6b0-72d4-4e9a-868a-b48ac960f157.jpg?v=1759458294"},{"product_id":"agriculture-s-t-lp","title":"Agriculture – S\/T LP","description":"\u003cp\u003eFor something to be “ecstatic,” the feelings and emotions it evokes must transcend what we tend to experience most regularly in our lives. Ecstatic joy isn’t just happiness; it’s a feeling of jubilation which impacts us emotionally and in a metaphysical, arguably spiritual sense too. Although it has long been associated with connotations of the dark and macabre, extreme music has the ability to be a powerful mode of expression for these feelings of absolute bliss, overwhelming love, and awe-inspiring sublimity. Extreme emotions no less and those which black metal quartet Agriculture evokes with its ecstatic subversion of the subgenre’s tropes. \u003c\/p\u003e\n\u003cp\u003eWhat was initially a meeting and subsequent series of jam sessions between Kern Haug and Daniel Meyer, two musicians in the Los Angeles underground noise scene, would eventually manifest as a shared vision to portray the sublimity of the human experience through the vehicle of heavy music. Following the additions of veteran guitarist Richard Chowenhill and bassist\/vocalist Leah Levinson to the band’s lineup, this idea would crystalize into the “ecstatic black metal” backbone of Agriculture’s music, first heard on the band’s 2022 debut EP, The Circle Chant.\u003cbr\u003e\u003cbr\u003eWith Agriculture’s self-titled record and first full-length LP, it’s abundantly clear that the band’s use of heavy music to showcase the most resplendent emotions and moments of the human experience has a far deeper meaning. Woven between the flurries of soaring tremolo picking, crescendoing guitar harmonies, celebratory screamed vocals, thoughtful improvisation, and meditative atmospheric passages is the record’s mission statement to experience the wonders and joys of both the esoteric and physical world. From examinations of self-acceptance, identity, and finding strength in others on “Look Pt.2” to depictions of deep communion with nature, the self, and the people we surround ourselves with in “The Glory of the Ocean” and “The Well”, the concepts and thematic questions previously planted by the band have blossomed into powerful, fully-realized artistic and philosophical statements. To put it in the band’s words, “...Where The Circle Chant is like a finger pointing at the moon, the self-titled LP is like a whole body screaming at it with reverence.” Through the extreme splendor of ecstatic black metal and the improvisational, experimental, and cathartic elements it embodies, Agriculture illustrates these otherwise incomprehensible questions with a poignant beauty that makes its music as much of an artistic statement as it is a transcendental experience.\u003c\/p\u003e","brand":"Agriculture","offers":[{"title":"Black","offer_id":47087574155509,"sku":"FR149","price":49.95,"currency_code":"AUD","in_stock":false},{"title":"Colour","offer_id":47225245008117,"sku":"FR149X","price":49.95,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/original_2b06185d-c43a-4154-b3cd-0a2e2dbaa47b.jpg?v=1759458295"},{"product_id":"agriculture-the-spiritual-sound-cd","title":"Agriculture – The Spiritual Sound CD","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThere’s a kind of quiet violence in how music is consumed today—flattened into background noise, sonic perfume fed into algorithms, sold as lifestyle. It’s entertainment as anesthesia. Sound without the weight. The Spiritual Sound, the new full-length from Los Angeles–based band Agriculture, stands as a pointed refusal of this condition. This is not a playlist. This is not a vibe. It is a demand.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAcross its runtime, The Spiritual Sound traces a narrative arc through extremes: searing, sky-cracking catharsis on side A; a slow-burning, devotional undercurrent on side B. The album is largely a fusing of the visions of its two principal songwriters, Dan Meyer and Leah Levinson: distinct voices, deeply complementary.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDan writes like someone clawing toward the divine through noise, channeling Zen Buddhism, historical collapse, ecstatic grief. Leah’s songs move differently: grounded in queer history and AIDS-era literature, amid the suffocating fog of the present, they carry the weight of survival as daily ritual. Her writing asks how to honor queer community and collective struggle without turning it into identity branding or personal mythmaking: how to stay honest, how to stay present. Though distinct, their voices converge in a singular spiritual grammar—one that defines the totality of The Spiritual\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eSound, not as separate parts, but as one unified expression.\u003cbr\u003e\u003cbr\u003eAgriculture’s formation mirrors this duality. What began as a loose collaboration between Kern Haug and Dan Meyer in the Los Angeles noise scene evolved into a shared pursuit of the sublime through heavy music. With the additions of Richard Chowenhill and Leah Levinson, the project solidified into the band’s current form. The ecstatic black metal foundation was laid on 2022’s The Circle Chant, expanded into something more precise and far-reaching on their 2023 self-titled full-length, and deepened further with 2024’s Living Is Easy: a record that embraced devotional intensity and radiant heaviness in equal measure.\u003cbr\u003e\u003cbr\u003eAgriculture’s writing process is built on dismantling and revision of self. Dan and Leah bring songs to the band and then allow them to be pulled apart and rebuilt communally: reshaped through conflict, repetition, and deep trust. Richard adds guitar melodies and solos, and Kern constructs rhythms which are sometimes familiar but often unconventional. Finally, with Richard producing, the final form of each song is realized through intense collaborative work in the studio. Although a time consuming and ego-frustrating process, this allows the band to find the spirit of the songs not through inspiration, but through persistence.\u003cbr\u003e\u003cbr\u003eYet, even in its most ambitious moments, The Spiritual Sound remains rooted in the ordinary and in the day-to-day relationships between the people who made it. Gas station snacks. Inside jokes. Sleeping on floors. Playing shows in rooms that smell like mildew. The spirit here isn’t abstract, it's live. This is spiritual music that starts with imperfect gear and a long-in-the-tooth tour van.\u003cbr\u003e\u003cbr\u003eAgriculture doesn’t offer salvation. The Spiritual Sound isn’t a map out of the fire. What it offers instead is presence: a confrontation with the moment, however unbearable, however divine. It insists that meaning is still possible, even in a world hell-bent on reducing everything to content, and where suffering itself can be conducive to recovery. As the Buddhist saying goes “the only way out is in.”\u003cbr\u003e\u003cbr\u003eWhen the founder of Chinese Zen, Bodhidharma, was asked by the emperor of China “What is the true meaning of the holy truth?” He replied, “Vast emptiness. Nothing holy.” This is not background music. This is not for vibe. The Spiritual Sound is music that asks.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Agriculture","offers":[{"title":"Default Title","offer_id":47087574188277,"sku":"FR181CD","price":26.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/original_bc4ecff9-11ae-4206-9262-aa054f3a18eb.jpg?v=1759458296"},{"product_id":"agriculture-the-spiritual-sound-lp","title":"Agriculture – The Spiritual Sound LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThere’s a kind of quiet violence in how music is consumed today—flattened into background noise, sonic perfume fed into algorithms, sold as lifestyle. It’s entertainment as anesthesia. Sound without the weight. The Spiritual Sound, the new full-length from Los Angeles–based band Agriculture, stands as a pointed refusal of this condition. This is not a playlist. This is not a vibe. It is a demand.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAcross its runtime, The Spiritual Sound traces a narrative arc through extremes: searing, sky-cracking catharsis on side A; a slow-burning, devotional undercurrent on side B. The album is largely a fusing of the visions of its two principal songwriters, Dan Meyer and Leah Levinson: distinct voices, deeply complementary.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDan writes like someone clawing toward the divine through noise, channeling Zen Buddhism, historical collapse, ecstatic grief. Leah’s songs move differently: grounded in queer history and AIDS-era literature, amid the suffocating fog of the present, they carry the weight of survival as daily ritual. Her writing asks how to honor queer community and collective struggle without turning it into identity branding or personal mythmaking: how to stay honest, how to stay present. Though distinct, their voices converge in a singular spiritual grammar—one that defines the totality of The Spiritual\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eSound, not as separate parts, but as one unified expression.\u003cbr\u003e\u003cbr\u003eAgriculture’s formation mirrors this duality. What began as a loose collaboration between Kern Haug and Dan Meyer in the Los Angeles noise scene evolved into a shared pursuit of the sublime through heavy music. With the additions of Richard Chowenhill and Leah Levinson, the project solidified into the band’s current form. The ecstatic black metal foundation was laid on 2022’s The Circle Chant, expanded into something more precise and far-reaching on their 2023 self-titled full-length, and deepened further with 2024’s Living Is Easy: a record that embraced devotional intensity and radiant heaviness in equal measure.\u003cbr\u003e\u003cbr\u003eAgriculture’s writing process is built on dismantling and revision of self. Dan and Leah bring songs to the band and then allow them to be pulled apart and rebuilt communally: reshaped through conflict, repetition, and deep trust. Richard adds guitar melodies and solos, and Kern constructs rhythms which are sometimes familiar but often unconventional. Finally, with Richard producing, the final form of each song is realized through intense collaborative work in the studio. Although a time consuming and ego-frustrating process, this allows the band to find the spirit of the songs not through inspiration, but through persistence.\u003cbr\u003e\u003cbr\u003eYet, even in its most ambitious moments, The Spiritual Sound remains rooted in the ordinary and in the day-to-day relationships between the people who made it. Gas station snacks. Inside jokes. Sleeping on floors. Playing shows in rooms that smell like mildew. The spirit here isn’t abstract, it's live. This is spiritual music that starts with imperfect gear and a long-in-the-tooth tour van.\u003cbr\u003e\u003cbr\u003eAgriculture doesn’t offer salvation. The Spiritual Sound isn’t a map out of the fire. What it offers instead is presence: a confrontation with the moment, however unbearable, however divine. It insists that meaning is still possible, even in a world hell-bent on reducing everything to content, and where suffering itself can be conducive to recovery. As the Buddhist saying goes “the only way out is in.”\u003cbr\u003e\u003cbr\u003eWhen the founder of Chinese Zen, Bodhidharma, was asked by the emperor of China “What is the true meaning of the holy truth?” He replied, “Vast emptiness. Nothing holy.” This is not background music. This is not for vibe. The Spiritual Sound is music that asks.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Agriculture","offers":[{"title":"Black","offer_id":47087574221045,"sku":"FR181","price":39.95,"currency_code":"AUD","in_stock":true},{"title":"Lemon Yellow","offer_id":47087574253813,"sku":"FR181X","price":44.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/original_3e10713d-154a-4915-a963-1b78456c0d9a.jpg?v=1759458297"},{"product_id":"agriculture-the-spiritual-sound-mc","title":"Agriculture – The Spiritual Sound MC","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThere’s a kind of quiet violence in how music is consumed today—flattened into background noise, sonic perfume fed into algorithms, sold as lifestyle. It’s entertainment as anesthesia. Sound without the weight. The Spiritual Sound, the new full-length from Los Angeles–based band Agriculture, stands as a pointed refusal of this condition. This is not a playlist. This is not a vibe. It is a demand.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAcross its runtime, The Spiritual Sound traces a narrative arc through extremes: searing, sky-cracking catharsis on side A; a slow-burning, devotional undercurrent on side B. The album is largely a fusing of the visions of its two principal songwriters, Dan Meyer and Leah Levinson: distinct voices, deeply complementary.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDan writes like someone clawing toward the divine through noise, channeling Zen Buddhism, historical collapse, ecstatic grief. Leah’s songs move differently: grounded in queer history and AIDS-era literature, amid the suffocating fog of the present, they carry the weight of survival as daily ritual. Her writing asks how to honor queer community and collective struggle without turning it into identity branding or personal mythmaking: how to stay honest, how to stay present. Though distinct, their voices converge in a singular spiritual grammar—one that defines the totality of The Spiritual\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eSound, not as separate parts, but as one unified expression.\u003cbr\u003e\u003cbr\u003eAgriculture’s formation mirrors this duality. What began as a loose collaboration between Kern Haug and Dan Meyer in the Los Angeles noise scene evolved into a shared pursuit of the sublime through heavy music. With the additions of Richard Chowenhill and Leah Levinson, the project solidified into the band’s current form. The ecstatic black metal foundation was laid on 2022’s The Circle Chant, expanded into something more precise and far-reaching on their 2023 self-titled full-length, and deepened further with 2024’s Living Is Easy: a record that embraced devotional intensity and radiant heaviness in equal measure.\u003cbr\u003e\u003cbr\u003eAgriculture’s writing process is built on dismantling and revision of self. Dan and Leah bring songs to the band and then allow them to be pulled apart and rebuilt communally: reshaped through conflict, repetition, and deep trust. Richard adds guitar melodies and solos, and Kern constructs rhythms which are sometimes familiar but often unconventional. Finally, with Richard producing, the final form of each song is realized through intense collaborative work in the studio. Although a time consuming and ego-frustrating process, this allows the band to find the spirit of the songs not through inspiration, but through persistence.\u003cbr\u003e\u003cbr\u003eYet, even in its most ambitious moments, The Spiritual Sound remains rooted in the ordinary and in the day-to-day relationships between the people who made it. Gas station snacks. Inside jokes. Sleeping on floors. Playing shows in rooms that smell like mildew. The spirit here isn’t abstract, it's live. This is spiritual music that starts with imperfect gear and a long-in-the-tooth tour van.\u003cbr\u003e\u003cbr\u003eAgriculture doesn’t offer salvation. The Spiritual Sound isn’t a map out of the fire. What it offers instead is presence: a confrontation with the moment, however unbearable, however divine. It insists that meaning is still possible, even in a world hell-bent on reducing everything to content, and where suffering itself can be conducive to recovery. As the Buddhist saying goes “the only way out is in.”\u003cbr\u003e\u003cbr\u003eWhen the founder of Chinese Zen, Bodhidharma, was asked by the emperor of China “What is the true meaning of the holy truth?” He replied, “Vast emptiness. Nothing holy.” This is not background music. This is not for vibe. The Spiritual Sound is music that asks.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Agriculture","offers":[{"title":"Default Title","offer_id":47087574286581,"sku":"FR181MC","price":24.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/original_f12cb6cd-c056-4dbd-949b-1d7106bb7437.jpg?v=1759458297"},{"product_id":"altars-woven-logo-patch","title":"Altars woven logo patch","description":"\u003cp\u003eAltars woven logo patch. Printed by Fury M\u0026amp;S Production S.R.O. in the Czech Republic.\u003c\/p\u003e","brand":"Altars","offers":[{"title":"Default Title","offer_id":47087575728373,"sku":"ALTARS_PATCH","price":9.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/original_93dd86b1-a051-4c01-9407-ed1209cd8fbe.jpg?v=1759458305"},{"product_id":"altars-ascetic-reflection-cd","title":"Altars – Ascetic Reflection CD","description":"\u003cp\u003eBear witness to 'Ascetic Reflection', the long awaited return of the Australian power-trio ALTARS. In eight tracks spanning 40 minutes, the group bends Death Metal to its will in new transcendental forms. An evolution that reflects and expands upon the sound established by the group's critically acclaimed debut 'Paramnesia'.\u003c\/p\u003e\n\u003cp\u003e'Ascetic Reflection’ is the long-awaited follow up to the bands debut — an evolution that reflects and expands upon the sound established by Paramnesia. Engineered, mixed and mastered entirely by the band themselves in January 2022 — Ascetic Reflection is an arcane and powerfully organic culmination of the renewed trio's efforts.\u003c\/p\u003e\n\u003cp\u003eAdorned by a sweeping gatefold painting by Adam Burke, and a series of internal collages created by Derek Setzer, ‘Ascetic Reflection’ interrogates one’s perception of the self. The opposing halves of the work, each reflecting outward from its centre, form mirrors by which to measure humanity's true face — inverse views of its ouroboric cycles, mortal burdens, and futile lust for power, knowledge and the divine.\u003c\/p\u003e\n\u003cp\u003eEnigmatic Australian Death Metal entity ALTARS rose sharply to prominence with the release of their 2013 debut ‘Paramnesia’ (Nuclear Winter Records\/Blood Harvest). The record quickly drew widespread acclaim for the band's dynamic, forward thinking compositions — hearkening to the genre's forebears whilst carving a niche all their own.\u003c\/p\u003e\n\u003cp\u003eAfter a premature halt, in part due to a debilitating illness affecting co-founding member Cale Schmidt (vocals and bass, see also Monomakh), ALTARS entered a long period of dormancy. Guitarist Lewis Fischer joined the ranks of Melbourne outfit Ignivomous, while drummer Alan Cadman entered the fold of Adelaide’s occult StarGazer. All the while, ‘Paramnesia’ continued to gain status as a cult classic and glimpse of the band's true potential.\u003c\/p\u003e\n\u003cp\u003eAfter eight years of silence, 2021 saw a revived ALTARS announce its resurrection with the promise of a new full-length album, and then the recruitment of Brendan Sloan (Convulsing) to fill the void on bass and vocals — cementing the band as a force to be reckoned with once more.\u003c\/p\u003e\n\u003cp\u003eFor fans of Ulcerate, Gorguts, Portal, Dead Congregation.\u003c\/p\u003e","brand":"Altars","offers":[{"title":"Default Title","offer_id":47087575826677,"sku":"SPIT074CD","price":19.95,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/original_6cb0e516-194e-472d-ab36-c3988381a514.jpg?v=1759458306"},{"product_id":"artificial-brain-infrared-horizon-cd","title":"Artificial Brain – Infrared Horizon CD","description":"\u003cp\u003eWith their second full-length album “Infrared Horizon”, NY-based death metal band ARTIFICIAL BRAIN have created a sophomore release more advanced than their lauded debut album “Labyrinth Constellation”. By taking their brand of singular brutal guttural yet technical and ambient sci-fi death metal to a new galaxial plateau, “Infrared Horizon” sees the sonic architecture laid down by the band go further into the beyond and infinite.\u003cbr\u003e\nConceived in 2011 by guitarist Dan Gargiulo (Revocation) and vocalist Will Smith (ex-Biolich), the band would be rounded out by bass player Samuel Smith (Luminous Vault), guitarist Jon Locastro, and drummer Keith Abrami. The band would align themselves with Profound Lore Records and drop their debut album “Labyrinth Constellation” in 2014 to wide praise within the circles of death metal that range from accolades from within technical, dark, guttural, and progressive death metal respectively. Along with decent touring around “Labyrinth Constellation”, the band would also have their music played and were even name dropped on multiple occasions in the popular CBS television shows Elementary and Limitless.\u003cbr\u003e\nOnce again produced by Colin Marson (Gorguts, Dysrhythmia, Krallice) at The Thousand Caves, “Infrared Horizon” (featuring art by Adam Burke) sees ARTIFICIAL BRAIN traveling towards a sonic realm where the music has become more brutal and dissonant, technical, atmospheric, and just overall more otherworldly. Delving into the lyrics and themes of “Infrared Horizon”, themes such as dealing with the concept of a dystopian future in which robots and cyborgs have outlived human beings. Robots and Cyborgs who believe themselves to be not of creation of the long extinct humans but a more perfect evolution of them. The scenarios take place all over outer space and on unnamed planets (not necessarily Earth).\u003c\/p\u003e","brand":"Artificial Brain","offers":[{"title":"Default Title","offer_id":47087578644725,"sku":"PFL183CD","price":29.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/original_fdc19ea0-901c-4cca-8128-c3d523dc3b4a.jpg?v=1759458331"},{"product_id":"bastard-noise-oldest-s-t-split-lp","title":"Bastard Noise \/ Oldest – S\/T Split LP","description":"At long last...the return of OLDEST, the NYC duo of Mick Barr \u0026amp; Brooks Headley, in the form of a split 12\" with one of their greatest inspirations, the legendary BASTARD NOISE.\nOLDEST manage to combine the avant metal execution that Barr has pioneered in projects like Krallice, Orthrelm, Crom-Tech, and Ocrilim, to name but a few, with the contrarian hardcore approach of Headley's past bands, which include Born Against, Universal Order of Armageddon, Skull Kontrol, and Wrangler Brutes.\nBASTARD NOISE need no introduction, as the long running vehicle for Eric Wood's extreme electronics exploration, active since the early 90s and originally serving as a more experimental sister band to his groundbreaking hardcore outfit Man Is the Bastard aka Charred Remains. Having established powerviolence as perhaps the most potent strain of hardcore in his past work with MITB, Crossed Out, and Neanderthal, it comes as no surprise that Wood continues to compose the most uncompromising extreme music being made today. Whether operating in isolation or in collaboration(co-conspirators have included Amps For Christ, Masami Akita, John Wiese, Keiji Haino, and Unglee Izi), the power and integrity of Bastard Noise remain undiluted, with a legion of \"skull servants\" worldwide, sharing the urgency of the message and welcoming the brutality of the sonics.\nWe've been eagerly awaiting (and if we're honest, badgering for) more from OLDEST since their full-length released here on SGG in 2012. Rare live appearances and a 7\" tucked into a cookbook(Brooks is, after all, the culinary mind behind NYC's vegetarian mecca, Superiority Burger) were met with enthusiasm, but we craved more, and this record more than delivers. Included here is all the material from the band's \"Bacterial Insight\" sessions(previously unreleased physically) and a track from the aforementioned \"We're Italians, Too\" single. Appropriately, a vinyl-only bonus track, a raw, rehearsal room cover of Man Is the Bastard's \"Combat Weed\" closes the Oldest side of the proceedings.\nBASTARD NOISE usher in a new era of unmatched, even by \"skull\" standards, dedication to a singular creative vision with the side-long \"Intermittent Burial Grounds Of Retention\". A plea - no, a demand - for a better world, an assault on mankind's complacency delivered by eradicating electronics and soul crushing vocals, delivered by both Wood and formidable recent skull initiate, Jessika Marvin. The impending colony collapse we face as a species is reflected in the \"honeycomb\" effect used in the yellow and black vinyl.\n*Please note that each side of this record is to be played at its own speed*\n ","brand":"Bastard Noise \/ Oldest","offers":[{"title":"Yellow and black honeycomb","offer_id":47087581430005,"sku":"SGG093","price":59.95,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/original_34301303-6274-4494-bea4-65dd624b8b9b.jpg?v=1759458355"},{"product_id":"bell-witch-future-s-shadow-part-1-the-clandestine-gate-2lp","title":"Bell Witch – Future’s Shadow Part 1: The Clandestine Gate 2LP","description":"\u003cp\u003eLike 2017's lauded Mirror Reaper, The Clandestine Gate is a single 83-minute piece of funeral doom — a composition that pulses and breathes on a filmic timeframe. It constitutes the first chapter in a planned triptych of long-form albums, collectively called Future's Shadow.\u003c\/p\u003e\n\u003cp\u003eWhile traces of organ and synthesizer hovered over Mirror Reaper — and Bell Witch's 2020 collaboration with Aerial Ruin, Stygian Bough Volume 1 — The Clandestine Gate drew those instruments closer to the centre of its compositions. The band reunited with their longtime producer Billy Anderson as they began negotiating these new compositional weights.\u003c\/p\u003e\n\u003cp\u003eOn The Clandestine Gate, Bell Witch's twinned voices build off of the chant like textures of previous records while steering toward more developed melodic lines, structured harmonies, and rhythmic death metal growls. The immense gravity of a work like The Clandestine Gate, which features exclusive stunning cover art by Jordi Diaz Alama, allows ideas to simmer in a way that feels profoundly and somatically intuitive — not just a philosophical exercise, but an embodied truth. By slowing down both their creative process and the tempo of the music itself, Bell Witch digs even deeper into their long standing focus: the way life spills on inside its minuscule container, both eternal and fleeting, a chord that echoes without resolution.\u003c\/p\u003e","brand":"Bell Witch","offers":[{"title":"Black","offer_id":47087583166709,"sku":"PFL299","price":59.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/original_86bb5ee4-ce3e-4e0e-a19a-d347c11a4e0b.jpg?v=1759458368"},{"product_id":"benothing-temporal-bliss-surrealms-lp","title":"Benothing – Temporal Bliss Surrealms LP","description":"\u003cp\u003eBehold the ferocious display of the darkened, sinister and miasmatic death metal cruelty that BENOTHING have crafted for you and let yourself drown in the almost 30 minutes aural bliss that is temporal bliss surrealms!\u003c\/p\u003e\n\n\u003cp\u003eThe formation of the band dates back to 2017 when K.T and V.V teamed up to put together some musical ideas they had. in 2018 M.F joined the band on guitar\/bass and the band evolved through a darker and complex songwriting. After roughly two years devoted to developing the songwriting process and with A.G joining the band in early 2019 the band was ready and aligned to channel their passion for the ancient and uncompromised manifestations of this morbid artistry and give finally birth to the first BENOTHING manifestation.\u003c\/p\u003e\n\n\u003cp\u003eAll the four tracks for the debut Ep were recorded live at rehearsal studio during summer 2020 and even though the recording consumed a lot of time because of the pandemic outburst and travel restrictions, nothing was more fitting for such bizarre times than to unfold the gates of their inner abyss and magnify the analog transmit death to execute the recordings for their debut EP \"Temporal Bliss Surrealms\". 100% DIY, recorded, mixed, and mastered by V.V and now ready to be unleashed upon this putrid earth!\u003c\/p\u003e\n\n\u003cp\u003eFor fans of Horrendous, Morbus Chron, Bedsore, Obliteration.\u003c\/p\u003e","brand":"Benothing","offers":[{"title":"Black","offer_id":47087583789301,"sku":"SPIT064LP","price":39.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/original_dc5325fe-fecc-43f5-9c2b-ba05dcda89f6.jpg?v=1759458372"},{"product_id":"bespoke-decay-c-l-a-s-s-mc","title":"Bespoke Decay – C.L.A.S.S. MC","description":"Harsh noise from Melbourne, Australia, released via the Janus Tapes label.\n\nTracklist:\nSide A. What's The Matter With Your Friend?\nSide B. Das Gucklock","brand":"Bespoke Decay","offers":[{"title":"Default Title","offer_id":47087584051445,"sku":"JANUS32","price":11.95,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/original_4c61d643-2e98-4a1e-9a62-33dbd60e9885.jpg?v=1759458376"},{"product_id":"bill-orcutt-music-for-four-guitars-lp","title":"Bill Orcutt – Music For Four Guitars LP","description":"\"In a trajectory full of about-faces, Music for Four Guitars splices the formal innovations of Bill Orcutt's software-based music into the lobe-frying, blown-out Fender hyperdrive of his most frenetic workouts with Corsano or Hoyos. And while the guitar tone here is resolutely treble-kicked — or, as Orcutt puts it, \"a bridge pickup rather than a neck pickup record\" — it still wades the same melodic streams as his previous LPs (yet, as Heraclitus taught us, that stream is utterly different the second time around). Although it's a true left-field listen, Music for Four Guitars is bizarrely meditative, a Bill Orcutt Buddha Machine, a glimpse of the world of icy beauty haunting the latitudes high above the Delta (down where the climate suits your clothes).\nI've written before of the immediate misapprehension that greeted Harry Pussy on their first tour with my band Charalambides — that this was a trio of crazed freaks spontaneously spewing sound from wherever their fingers or drumsticks happened to land — but I'll grant the casual listener a certain amount of confusion based on the early recorded evidence (and the fact that the band COULD be a trio of crazed freaks letting fly, as we learned from later tours). But to my ears, the precision and composition of their tracks were immediately apparent, as if the band was some sort of 5-D music box with its handle cranked into oblivion by a calculating organ grinder, running through musical maps as pre-ordained as the road to a Calvinist's grave.\nThat organ grinder, it turns out, was Bill Orcutt, whose solo guitar output until 2022 has tilted decidedly towards improvisation, while his fetish for relentless, gridlike composition has animated his electronic music (c.f. Live in LA, A Mechanical Joey). Music for Four Guitars, apparently percolating since 2015 as a loosely-conceived score for an actual meatspace guitar quartet, is the culmination of years ruminating on classical music, Magic Band miniatures, and (perhaps) The League of Crafty Guitarists, although when the Reich-isms got tossed in the brew is anyone's guess.\nAnd Reichian (Steve, not Wilhelm) it is. The album's form is startlingly minimalist — four guitars, each consigned to a chattering melody in counterpoint, repeated in cells throughout the course of the track, selectively pulled in and out of the mix to build fugue-like drama over the course of 11 brief tracks. It's tempting to compare them to chamber music, but these pieces reflect little of the delicacy of Satie's Gymnopedies or Bach's Cantatas. Instead, they bulldoze their way through melodic content with a touch of the motorik romanticism of New Order or Bailter Space (\"At a Distance\"), but more often (\"A Different View,\" \"On the Horizon\") with the gonad-crushing drive of Discipline-era Crimson, full of squared corners, coldly angled like Beefheart-via-Beat-Detective.\nJust to nail down the classical fetishism, the album features a download of an 80-page PDF score transcribed by guitarist Shane Parish. And while it'd be just as reproducible as a bit of code or a player piano roll, I can easily close my eyes and imagine folks with brows higher than mine squeezing into their difficult-listening-hour folding chairs at Issue Project Room to soak up these sounds being played by real people reading a printed score 50 years from now. And as much as I want to bomb anyone's academy, that feels like a warm fuzzy future to sink into.\"\n— TOM CARTER","brand":"Bill Orcutt","offers":[{"title":"Black","offer_id":47087585132789,"sku":"PAL068LP","price":44.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/original_3288c282-8d4c-4e23-ae0e-276fe7fa9e3a.jpg?v=1759458382"},{"product_id":"blood-incantation-interdimensional-extinction-cd","title":"Blood Incantation – Interdimensional Extinction CD","description":"\u003cp\u003e2025 Repress! Blood Incantation’s debut EP, originally released by Dark Descent Records in 2015, is available again on CD format. Four tracks, 18 minutes. This new 2025 edition comes with an ultra-cool OBI strip.\u003c\/p\u003e\n\u003cp\u003eMixed\/Mastered – Damian Herring (Subterranean Watchtower Studio). Cover art by Bruce Pennington (1973).\u003c\/p\u003e","brand":"Blood Incantation","offers":[{"title":"Default Title","offer_id":47087589294325,"sku":"DDR133CD","price":24.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/original_cd6d5b2b-4cee-4cb4-ba8a-885610792063.jpg?v=1759458407"},{"product_id":"blood-incantation-starspawn-cd","title":"Blood Incantation – Starspawn CD","description":"After signing with the label prior to the August 2015 release of the Interdimensional Extinction EP, BLOOD INCANTATION returns with a 30-minute cerebral whirlwind of powerful atmospheric death metal. The intense and otherworldly technical\/ambient\/funeral death metal of Starspawn leaves the listener feeling transcendentally disembodied at the end of an unknown dimension.\nProduced entirely in analog, the energy and magnetism of live BLOOD INCANTATION is tangibly melting through the speakers, and the songwriting, production and performance constellations have all fully aligned.\nWith appearances at California Death Fest and Covenant Festival (Canada) already on the horizon, and an even more extensive US tour this September, the worldwide spread of the BLOOD INCANTATION tentacles into all orbits is as inevitable as your own death and this galaxy's violent collapse.","brand":"Blood Incantation","offers":[{"title":"Default Title","offer_id":47087589490933,"sku":"DDR157CD","price":24.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/original_0b56813c-a730-4a15-9d6b-3e0f337e496e.jpg?v=1759458409"},{"product_id":"boris-heavy-rocks-2lp","title":"Boris – Heavy Rocks (2002) 2LP","description":"Formed in 1992, Boris boldly explores their own vision of heavy music, where words like \"explosive\" and \"thunderous\" barely do justice. Using overpowering soundscapes embellished with copious amounts of lighting and billowing smoke, Boris has shared with audiences across the planet an experience for all five senses in their concerts, earning legions of zealous fans along the way. This is the highly-requested, unbelievably-anticipated official vinyl and streaming release of Boris's 2002 album and first dive into the stoner rock idiom, originally released in Japan on CD only. Heavy Rocks (2002) is heavy, sure, but fuses sludge, noise, stoner rock and hardcore all together for a deeply bone-shaking and unforgettable trip.","brand":"Boris","offers":[{"title":"Black","offer_id":47087592014069,"sku":"TMR778","price":69.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/original_677ad4e9-70da-45bc-a4f3-ff804f5007a4.jpg?v=1759458426"},{"product_id":"brown-piss-new-flesh-for-old-masters-cd","title":"Brown Piss – New Flesh For Old Masters CD","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e14 tracks of crumbling earth, eviscerating oscillations, lurching industrial noisecore, and decadent decay to bury yourself under. Brown Piss is the solo project of Jason Hodges (Suppression \/ Oozing Meat \/ Masticated Polyps \/ Abortion Breath \/ Mutwawa \/ Chaotic Noise Productions, etc), delivering a visceral batch of neck rumblers, ear ticklers, and tinnitismares from the wilds of Richmond, VA.\u003c\/p\u003e","brand":"Brown Piss","offers":[{"title":"Default Title","offer_id":47087594995957,"sku":"SWEATLUNG46","price":19.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/original_d8a95349-3bd2-40f8-8ab5-574ad5c28979.jpg?v=1759458439"},{"product_id":"burial-inner-gateways-to-the-slumbering-equilibrium-at-the-center-of-cosmos-cd","title":"Burial – Inner Gateways To The Slumbering Equilibrium At The Center Of Cosmos CD","description":"Italy's BURIAL resurfaces from the beyond with their first full length album, blending moments of sheer death metal aggression and horrific, funerous doomy passages. Enter the horror!\nBurial is a Swe\/Fin influenced Death\/Doom band from Italy. Formed in 2012 by Leonardo but the first things were recorded only in 2016, when Enrico joined the band on vocals. \"The Forgotten\" Ep was released in 2019 and soon after a new Demo titled “Presence From The Beyond” which showed the first progressions in the band's songwriting.\nIn 2020 the band signed with Everlasting Spew Records for the release of the first full length with a new lineup featuring Leonardo on guitars, Enrico on bass and vocals, Samuele on drums and Morgan as supporting guitars.\nFor fans of Spectral Voice, Mortiferum, Krypts, dISEMBOWELMENT.","brand":"Burial","offers":[{"title":"Default Title","offer_id":47087595520245,"sku":"SPIT057CD-2","price":24.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/original_7b16a49e-ebc4-4784-9fc9-6cbc7d53c9ba.jpg?v=1759458442"},{"product_id":"chat-pile-cool-world-cd","title":"Chat Pile – Cool World CD","description":"\u003cp\u003eLike the towering mounds of toxic waste from which it gets its namesake, the music of Oklahoma City noise rock quartet Chat Pile is a suffocating, grotesque embodiment of the existential anguish that has defined the 21st Century. It figures that a band with this abrasive, unrelenting, and outlandish of a sound has struck as strong of a chord as it has. Dread has replaced the American dream, and Chat Pile’s music is a poignant reminder of that shift – a portrait of an American rock band moulded by a society defined by its cold and cruel power systems.\u003c\/p\u003e\n\u003cp\u003eBesides being the name of a largely forgotten (and panned) 90s film, Cool World makes for an apt title of Chat Pile’s sophomore full-length record. In the context of a Chat Pile record, the words are steeped in a grim double entendre that not only evokes imagery of a dying planet but a progression from the band’s previous work, moving the scope of its depiction of modern malaise from just “God’s country” to the entirety of humankind. “Cool World covers similar themes to our last album, except now exploded from a micro to macro scale, with thoughts specifically about disasters abroad, at home, and how they affect one another,” says vocalist Raygun Busch.\u003c\/p\u003e\n\u003cp\u003eThough very much on-brand with Chat Pile’s signature flavour of cacophonous, sludgy noise rock, the band’s shift to a global thematic focus on Cool World not only compliments the broader experimentations it employs with their songwriting but also how they dissect the album’s core theme of violence. Melded into the band’s twisted foundational sound are traces of other eclectic genre stylings, with examples of gazy, goth-tinged dirges to abrasive yet anthemic alt\/indie-esque hooks and off-kilter metal grooves only scratching the surface of what can be heard in the album’s ten tracks. “While we wanted our follow-up to God’s Country to still capture the immediate, uncompromising essence of Chat Pile, we also knew that with Cool World, we’d want to stretch the definition of our “sound” to reflect our tastes beyond just noise rock territory,” reflects bassist Stin. “Now that we had some form of creative comfort zones in place after hitting that milestone of putting out a full-length record, album #2 felt like the perfect opportunity to challenge those limits.” Besides stylistically stretching the boundaries of the Chat Pile sound, Cool World is also the band’s first record to have someone else handle mixing duties, with Ben Greenberg of Uniform (Algiers, Drab Majesty, Metz) capturing and further amplifying the quartet’s unmistakably outsider and folk-art edge.\u003c\/p\u003e\n\u003cp\u003eThe proverbial thread tying all of the experimentation on Cool World together is the depth to which Chat Pile dissects the album’s theme of violence. Whether it be the cycle of creating and passively consuming literal and figurative violence on sister tracks “Camcorder” and “Tape”, the diminishment of crimes against humanity by way of foreign policy and colonialism on “Shame”, or the mental anguish of hopelessness on “The New World”, Cool World is an apocalyptically bleak record. Sure, Chat Pile’s debut album was plenty disturbing with its B-movie-inspired interpretation of a “real American horror story”; what Chat Pile depicts on Cool World is unsettling not just from its visceral noise rock onslaught, but from depicting how all sorts of atrocities are pretty much standard parts of modern existence. In film terms, think something like a Criterion arthouse film by way of schlocky grindhouse splatterfest: undeniably gratuitous and thrilling in the moment but leaving a looming dread in the back of one’s mind for how close the horrors depicted mirror reality.\u003c\/p\u003e\n\u003cp\u003e“If I had to describe the album in one sentence,” explains Busch, “It’s hard not to borrow from Voltaire, so I won’t resist – Cool World is about the price at which we eat sugar in America.”\u003c\/p\u003e","brand":"Chat Pile","offers":[{"title":"Default Title","offer_id":47087599714549,"sku":"FR164CD","price":26.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/original_4626b3fa-6c18-4d2f-bef9-fd3a56e3e2bb.jpg?v=1759458468"},{"product_id":"chat-pile-cool-world-lp","title":"Chat Pile – Cool World LP","description":"\u003cp\u003eLike the towering mounds of toxic waste from which it gets its namesake, the music of Oklahoma City noise rock quartet Chat Pile is a suffocating, grotesque embodiment of the existential anguish that has defined the 21st Century. It figures that a band with this abrasive, unrelenting, and outlandish of a sound has struck as strong of a chord as it has. Dread has replaced the American dream, and Chat Pile’s music is a poignant reminder of that shift – a portrait of an American rock band moulded by a society defined by its cold and cruel power systems.\u003c\/p\u003e\n\u003cp\u003eBesides being the name of a largely forgotten (and panned) 90s film, Cool World makes for an apt title of Chat Pile’s sophomore full-length record. In the context of a Chat Pile record, the words are steeped in a grim double entendre that not only evokes imagery of a dying planet but a progression from the band’s previous work, moving the scope of its depiction of modern malaise from just “God’s country” to the entirety of humankind.\u003cbr\u003e“Cool World covers similar themes to our last album, except now exploded from a micro to macro scale, with thoughts specifically about disasters abroad, at home, and how they affect one another,” says vocalist Raygun Busch.\u003c\/p\u003e\n\u003cp\u003eThough very much on-brand with Chat Pile’s signature flavour of cacophonous, sludgy noise rock, the band’s shift to a global thematic focus on Cool World not only compliments the broader experimentations it employs with their songwriting but also how they dissect the album’s core theme of violence. Melded into the band’s twisted foundational sound are traces of other eclectic genre stylings, with examples of gazy, goth-tinged dirges to abrasive yet anthemic alt\/indie-esque hooks and off-kilter metal grooves only scratching the surface of what can be heard in the album’s ten tracks.\u003cbr\u003e“While we wanted our follow-up to God’s Country to still capture the immediate, uncompromising essence of Chat Pile, we also knew that with Cool World, we’d want to stretch the definition of our “sound” to reflect our tastes beyond just noise rock territory,” reflects bassist Stin. “Now that we had some form of creative comfort zones in place after hitting that milestone of putting out a full-length record, album #2 felt like the perfect opportunity to challenge those limits.”\u003c\/p\u003e\n\u003cp\u003eBesides stylistically stretching the boundaries of the Chat Pile sound, Cool World is also the band’s first record to have someone else handle mixing duties, with Ben Greenberg of Uniform (Algiers, Drab Majesty, Metz) capturing and further amplifying the quartet’s unmistakably outsider and folk-art edge. The proverbial thread tying all of the experimentation on Cool World together is the depth to which Chat Pile dissects the album’s theme of violence. Whether it be the cycle of creating and passively consuming literal and figurative violence on sister tracks “Camcorder” and “Tape”, the diminishment of crimes against humanity by way of foreign policy and colonialism on “Shame”, or the mental anguish of hopelessness on “The New World”, Cool World is an apocalyptically bleak record.\u003c\/p\u003e\n\u003cp\u003eSure, Chat Pile’s debut album was plenty disturbing with its B-movie-inspired interpretation of a “real American horror story”; what Chat Pile depicts on Cool World is unsettling not just from its visceral noise rock onslaught, but from depicting how all sorts of atrocities are pretty much standard parts of modern existence. In film terms, think something like a Criterion arthouse film by way of schlocky grindhouse splatterfest: undeniably gratuitous and thrilling in the moment but leaving a looming dread in the back of one’s mind for how close the horrors depicted mirror reality.\u003c\/p\u003e\n\u003cp\u003e“If I had to describe the album in one sentence,” explains Busch, “It’s hard not to borrow from Voltaire, so I won’t resist – Cool World is about the price at which we eat sugar in America.”\u003c\/p\u003e","brand":"Chat Pile","offers":[{"title":"Black","offer_id":47087599747317,"sku":"FR164","price":44.95,"currency_code":"AUD","in_stock":true},{"title":"Neon Green","offer_id":47087599780085,"sku":"FR164X-2","price":49.95,"currency_code":"AUD","in_stock":true},{"title":"Highlighter Yellow","offer_id":47087599812853,"sku":"FR164C-Y","price":49.95,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/original_8597ac1e-4486-4099-a129-b173f0e12ab0.jpg?v=1759458468"},{"product_id":"chat-pile-gods-country-cd","title":"Chat Pile – God's Country CD","description":"\u003cp\u003eThere’s a sick irony to how a country that extols rhetoric of individual freedom, in the same gasp, has no problem commodifying human life as if it were meat to feed the insatiable hunger of capitalism. If this is American nihilism taken to its absolute zenith, then God’s Country, the first full length record from Oklahoma City noise rock quartet Chat Pile is the aural embodiment of such a concept.\u003c\/p\u003e\n\u003cp\u003eHaving lived alongside the heaps of toxic refuse that the band derives its name from, the fatalism of daily life in the American Midwest permeates throughout the works of Chat Pile, and especially so on its debut album.\u003cbr\u003eExasperated by the pandemic, the hopelessness of climate change, the cattle shoot of global capitalism, and fueled by “...lots and lots and lots and lots and lots and lots of THC,” God’s Country is as much of an acknowledgement of the Earth’s most assured demise as it is a snarling violent act of defiance against it.\u003c\/p\u003e\n\u003cp\u003eWithin its over forty minute runtime, the album displays both Chat Pile’s most aggressively unhinged and contemplatively nuanced moments to date, drawing from its preceding two EPs and its score for the 2021 film, Tenkiller. In the band’s own words, the album is, at its heart, “Oklahoma’s specific brand of misery.” A misery intent on taking all down with it and its cacophonous chaos on its own terms as opposed to idly accepting its otherwise assured fall. This is what the end of the world sounds like.\u003cbr\u003eFor fans of the Melvins, KEN Mode, Jesus Lizard, Big Black, Shellac.\u003c\/p\u003e","brand":"Chat Pile","offers":[{"title":"Default Title","offer_id":47087599845621,"sku":"FR129CD","price":24.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/original_d92d1da6-508e-467b-8dd6-da69a437d2c9.jpg?v=1759458469"},{"product_id":"chat-pile-gods-country-lp","title":"Chat Pile – God's Country LP","description":"\u003cp\u003eThere’s a sick irony to how a country that extols rhetoric of individual freedom, in the same gasp, has no problem commodifying human life as if it were meat to feed the insatiable hunger of capitalism. If this is American nihilism taken to its absolute zenith, then God’s Country, the first full length record from Oklahoma City noise rock quartet Chat Pile is the aural embodiment of such a concept.\u003c\/p\u003e\n\u003cp\u003eHaving lived alongside the heaps of toxic refuse that the band derives its name from, the fatalism of daily life in the American Midwest permeates throughout the works of Chat Pile, and especially so on its debut album.\u003c\/p\u003e\n\u003cp\u003eExasperated by the pandemic, the hopelessness of climate change, the cattle shoot of global capitalism, and fueled by “...lots and lots and lots and lots and lots and lots of THC,” God’s Country is as much of an acknowledgement of the Earth’s most assured demise as it is a snarling violent act of defiance against it.\u003c\/p\u003e\n\u003cp\u003eWithin its over forty minute runtime, the album displays both Chat Pile’s most aggressively unhinged and contemplatively nuanced moments to date, drawing from its preceding two EPs and its score for the 2021 film, Tenkiller. 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The swansong of the metal legends, finally available once again in a gatefold double LP.\u003c\/span\u003e\u003c\/p\u003e","brand":"Death","offers":[{"title":"Black","offer_id":48338589483253,"sku":"LP7154R","price":44.95,"currency_code":"AUD","in_stock":false},{"title":"Tri-colour merge","offer_id":47087613870325,"sku":"RR52041","price":69.95,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/original_48a2005c-7449-45fe-bea5-ec4744738f29.jpg?v=1759458556"},{"product_id":"decrepisy-deific-mourning-lp","title":"Decrepisy – Deific Mourning LP","description":"\"Deific Mourning\", stillborn in anxiety, grief and sickness, every riff agonizingly culled from terror, despair and disintegration of a dying form. A body desecrated by vaccine damage, an inflamed nervous system and dysautonomia, pumping fear into every heart beat and waking moment.\nAn album written and lived in a state of horror and uncertainty. Unable to play music for years, not sure if he would live to finish writing and recording Deific Mourning, Kyle House (Acephalix, Negative Prayer) brought in long time friend and bandmate Daniel Butler (Vastum, Acephalix) to write lyrics and execute Death Grunts.\nHeavier on the Doom side of Death than Decrepisy’s Emetic Communion, Deific Mourning pulls from Goth-Industrial influences that seep through the infected wounds that comprise the decomposing body of the album. 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Cover Illustration by Kyle House.\nDragged from the grimey depths of the rivers of Portland, Oregon, the spirit of Decrepisy made flesh in early 2020 comes ripping with a style of regressive, gut-churning death metal only the likes of Kyle House (Vastum, Acephalix) could manifest. With the addition of Jonathan Quintana (Thanamagus, Ritual Necromancy) on guitars, Tim Lower (Hellgrazer, Grave Dust) on bass, and Charles Koryn (Ascended Dead, Funebrarum) on drums, a truly unique, savage, and unseen form of death metal comes floating dead…\nDisgorged from unimaginable trauma of pain and loss, Decrepisy’s heavy, brick-walled sound of death captures the burdened grief of stillborn souls straight from ancient ossuaries and fetid human tombs. Disinterring early Grave, Convulse, and Incantation, their sound is drenched in dark, brooding solos that open up veins and riffs that purify through rot.\nLife in decay... partake of Decrepisy's Emetic Communion.","brand":"Decrepisy","offers":[{"title":"Transparent red","offer_id":47087615410421,"sku":"ASH030LP","price":39.95,"currency_code":"AUD","in_stock":true},{"title":"Silver with Black Splatter","offer_id":48149357265141,"sku":"ASH030LP-2","price":39.95,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/a4149920178_10.jpg?v=1778821896"},{"product_id":"disembowelment-transcendence-into-the-peripheral-2lp","title":"Disembowelment – Transcendence into the Peripheral 2LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOriginally released in 1993, \u003c\/span\u003e\u003cstrong\u003eDISEMBOWELMENT\u003c\/strong\u003e\u003cspan\u003e cemented their status as one of the underground's most unique and enigmatic Doom\/Death Metal bands with their landmark full length \u003c\/span\u003e\u003cem\u003eTranscendence into the Peripheral\u003c\/em\u003e\u003cspan\u003e. 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For 2023, to complete the year-end trifecta, the two doomed titans now appear together on one towering release of cosmic duality, ‘Starpath’.\u003cbr\u003eWith both bands dropping major works back to back in the previous two years, they became intrinsically linked in the imaginations of the fanbases. And while musically they almost couldn’t be farther apart, the foundational points when exhumed of the Earth, have plenty in common. And so once more, Dream Unending and Worm end the 20 Buck Spin release schedule for the year, this time in conspiracy with one another.\u003c\/p\u003e\n\u003cp\u003eThe latest tracks from Dream Unending, ‘So Many Chances’ and ‘If Not Now When’ further dissolve the goth\/post-punk elements that existed within earlier output, continuing to build upon the spacious free-form drift of extended guitar passages, pensively heavy riffs and Justin DeTore’s thunderous roar. Phil Swanson, who appeared as guest clean vocalist on ‘Song of Salvation’, returns again here. These two extended pieces represent the most realized incarnation yet of where Derrick Vella and Justin DeTore are steering the ship.\u003c\/p\u003e\n\u003cp\u003eWorm, as they are now known for, continue to be an ever shape-shifting entity of pure virtuosic blackness. ‘Ravensblood’ embraces vampyric black metal with icy keys and eerie cemetery melodies. The chillingly atmospheric ‘Midwinter Tears’ invokes a snow covered gothic mood and side ender ‘Sea of Sorrow’ encapsulates the necromantic shred of lead guitarist Wroth Septentrion over Phantom Slaughter’s idiosyncratic black doom and immortally haunted crypt invocations.\u003c\/p\u003e\n\u003cp\u003eTwo bands, two unique approaches, a chasmic spectrum of light from radiant impassioned creation to the terminal abyssic darkness of oblivion. 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FFO Leprosy era Death.\u003c\/p\u003e","brand":"Eternal","offers":[{"title":"Default Title","offer_id":47087640674549,"sku":"ASH036CD","price":24.95,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/original_a9f3a5bf-b727-47d9-b5b8-ff657c44a440.jpg?v=1759458672"},{"product_id":"extortion-threats-7","title":"Extortion – Threats 7\"","description":"\u003cp\u003ePicking up where 2022’s “Seething” EP left off, “Threats” finds a reinvigorated EXTORTION further distilling their water tight stop\/start anti-feedback power violence velocity to “communicate... something. actually, a LOT of something- too much panic, too much frustration, too much nausea, too much of everything.” The new EP is an absolute brain pummel that will leave you more destroyed than ever. Seriously, this band just keeps getting faster and tighter and more ferocious with no limit to what they can do. EXTORTION is a gift… just don’t look ‘em in the mouth.\u003c\/p\u003e\n\u003cp\u003e200 on coke bottle clear, 200 on opaque red and 600 on black 70gr vinyl housed in a 12pt custom die cut jacket with lyric insert included. Recorded by Sam Johnson at The Black Lodge. Mixed and Mastered by Will Killingsworth at Dead Air. Artwork by Rohan Harrison.\u003c\/p\u003e\n\u003cp\u003eAlso released by the band in Australia, under the 15.1.1919 Records moniker (this edition). 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With hissing guitars, pained guttural growls and pummeling drums as backbone, “Bestial Hardcore” tackles hard and personal subjects like “intrusive thoughts, fixations and paranoid delusions arising from psychotic episodes, dreams and manic states” but channels them “in a way to reflect and potentially move forward through their expression”. By taking control of our demons and being open to decimating past barriers, we can harness a healthier way forward. The snarling dogs of existence will never stop digging and snapping at your fortitude so it’s time to become new, let this beast guide you.' — Jensen Ward\n500 copies on black and 500 on opaque yellow 150gr vinyl housed in a 24pt reverse board jacket with printed inner sleeve included. “Nothing fancy”.","brand":"Gaoled","offers":[{"title":"Opaque yellow","offer_id":47087651520757,"sku":"TS57","price":34.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/original_d9a1d863-7e64-4f8e-ab97-f693c218c15e.jpg?v=1759458743"},{"product_id":"godspeed-you-black-emperor-g_ds-pee-at-states-end-lp","title":"Godspeed You! Black Emperor – G_Ds Pee At States End! 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