{"title":"Midheaven 30 Oct","description":null,"products":[{"product_id":"aenigmatum-infinitudes-passage-cd","title":"Aenigmatum – Infinitude’s Passage CD","description":"\u003cp\u003e‘Infinitude’s Passage’ marks the third full length statement from Portland’s death metal seers Aenigmatum. Taking the intricate mastery of previous album ‘Deconsecrate’ as a point of departure, the band’s union of technical precision, dark melody and unrelenting force draw us ever further into a world where revelation and annihilation become indistinguishable.\u003c\/p\u003e\n\n\u003cp\u003eSudden turns, fractured rhythms and spiraling harmonies color a landscape of seemingly elaborate complexity, yet Aenigmatum are serving a larger, deeper structure with an exacting sense of purpose and focus. Frenetic eruptions of speed give way to passages of melodious clarity and dissonant turbulence allowing the compositions to remain in constant motion and expand idiosyncratically upward and outward.\u003c\/p\u003e\n\n\u003cp\u003eCerebral without sacrificing physical impact, majestic without surrendering menace and progressive without loosening its vigorous command, ‘Infinitude’s Passage’ rejects easy categorization within Death Metal’s exceedingly vast parameters. Its visceral impact, incandescent melody and aura of perpetual discovery places Aenigmatum at the threshold of the boundless.\u003c\/p\u003e","brand":"Aenigmatum","offers":[{"title":"Default Title","offer_id":67871989203189,"sku":"SPIN 213 CD","price":24.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/a2452834201_10.jpg?v=1793245066"},{"product_id":"aenigmatum-infinitudes-passage-lp","title":"Aenigmatum – Infinitude’s Passage LP","description":"\u003cp\u003e‘Infinitude’s Passage’ marks the third full length statement from Portland’s death metal seers Aenigmatum. Taking the intricate mastery of previous album ‘Deconsecrate’ as a point of departure, the band’s union of technical precision, dark melody and unrelenting force draw us ever further into a world where revelation and annihilation become indistinguishable.\u003c\/p\u003e\n\n\u003cp\u003eSudden turns, fractured rhythms and spiraling harmonies color a landscape of seemingly elaborate complexity, yet Aenigmatum are serving a larger, deeper structure with an exacting sense of purpose and focus. Frenetic eruptions of speed give way to passages of melodious clarity and dissonant turbulence allowing the compositions to remain in constant motion and expand idiosyncratically upward and outward.\u003c\/p\u003e\n\n\u003cp\u003eCerebral without sacrificing physical impact, majestic without surrendering menace and progressive without loosening its vigorous command, ‘Infinitude’s Passage’ rejects easy categorization within Death Metal’s exceedingly vast parameters. Its visceral impact, incandescent melody and aura of perpetual discovery places Aenigmatum at the threshold of the boundless.\u003c\/p\u003e","brand":"Aenigmatum","offers":[{"title":"Infinitude's Vortex","offer_id":67871989268725,"sku":"SPIN 213","price":44.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/a2452834201_10_c25b6a73-a132-4ddb-a338-459f09298c5f.jpg?v=1793245068"},{"product_id":"altarage-cogwheel-2lp","title":"Altarage – Cogwheel LP","description":"\u003cp\u003eBasque experimental death metal behemoths Altarage return to crush the earth under their gargantuan hooves of dissonance. Packing in a staggering one hour and fourteen minutes of tectonic extreme metal upheaval, their seventh full length album \"Cogwheel\" not only represents the longest, and most imposing work in their career, but also their most defiant and visionary. Since 2015, and across six genre-defining full length releases and the spawning of countless imitators, Altarage have brilliantly and mercilessly ploughed through the barriers of convention and tradition, setting in motion one of the most revolutionary ruptures in recent death metal history, and redefining the very architecture of heaviness and of their long standing dual mandate of destruction through transformation, and transformation through destruction. \"Cogwheel\" reinvents this dismal trajectory once again, representing yet another rift in Altarage's enigmatic and oppressive conquest for innovation. Tempos slow down, forms sprawl, deconstruct and convulse. Abstraction and evaporating compositional frameworks expand. Echoes of Swans, Sunn O))), Scott Walker and Godflesh accrete into structural elements while lyrical themes and concepts mirror this process of rehumanization, shifting from the supernatural and the imaginary, to real, blood-pumping societal struggle that embodies the very notion of suffering and anger inside the cogwheel of transactional industry slavery. And at the center of all of this, always them: the riffs, the eternal centerpiece and engine to Altarage's tyrannical decade-long conquest. Colossal, implacable, inescapable uranium-depleted hammers of creation and destruction, demolishing and flattening everything in their wake. Conventions and their vestiges, wiped off the earth. Remnants and dogmas of tradition, flattened and pulverized under the weight of inevitability to create a new ground zero, scorched and sterilized of orthodoxy, and reseeded with the germs of innovation and expressive rebirth through the convergence of human struggle and musical destruction.\u003c\/p\u003e","brand":"Altarage","offers":[{"title":"Black","offer_id":67871989334261,"sku":"SRUIN 262","price":59.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/a0135934005_10.jpg?v=1793245070"},{"product_id":"bikini-kill-reject-all-american-lp","title":"Bikini Kill – Reject All American LP","description":"\u003cp\u003eThe final studio album originally released in 1996 on Kill Rock Stars, special 30th anniverary pressing! Bikini Kill was a feminist punk band that was based in Olympia, WA and Washington, DC, forming in 1990 and breaking up in 1997. KATHLEEN HANNA sang, TOBI VAIL played drums, BILLY KARREN (aka BILLY BOREDOM) played guitar and KATHI WILCOX played bass. Bikini Kill is credited with instigating the Riot Grrrl movement in the early ’90s via their political lyrics, zines, and confrontational live performances.\u003c\/p\u003e","brand":"Bikini Kill","offers":[{"title":"30th Anniversary Splatter","offer_id":67871989399797,"sku":"BK 09C","price":54.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/a0843168996_10.jpg?v=1793245072"},{"product_id":"bikini-kill-the-singles-lp","title":"Bikini Kill – The Singles LP","description":"\u003cp\u003eInitially released in 1998 as a CD only compilation of all of BIKINI KILL's 7”s. Once called \"their defining document\" by Pitchfork it includes Bikini Kill's legendary collaboration with JOAN JETT on the New Radio (1993) single as well as the long out of print Anti Pleasure Dissertation (1995) and I Like Fucking (1995) singles.\u003c\/p\u003e","brand":"Bikini Kill","offers":[{"title":"Black","offer_id":67871989465333,"sku":"BK 010","price":34.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/a2166262290_10.jpg?v=1793245074"},{"product_id":"chahom-anthropic-rites-of-sublimation-cd","title":"Ch’ahom – Anthropic Rites Of Sublimation CD","description":"\u003cp\u003eGerman black\/death cult Ch’ahom offer upon the altar of sacrifice their 2nd album ‘Anthropic Rites of Sublimation’, a concept album set in a fictional world inspired by the rituals, art and architecture of pre-Hispanic cultures. Continuing where their “Ts’ono’ot” EP ended, its story unfolds around a cenote of impossible dimensions whose cosmic call draws the lost and uncertain toward self-sacrifice. Four civilizations rise along its edge, each developing its own rites, hierarchies and monuments to transform the abyss’s fatal summons into a foundation for collective existence.\u003c\/p\u003e\n\n\u003cp\u003eCh’ahom gives this imagined world form through cavernous death metal, bestial eruptions and feverishly progressive structures. Savage riffing coils through suffocating chambers of rhythmic conjuration while ancient instrumentation emerges from the tumult like echoes inside a buried temple. ‘Anthropic Rites of Sublimation’ moves like the cenote itself, drawing the listener inward through an ecstatic and ever-deepening sense of the unknown.\u003c\/p\u003e\n\n\u003cp\u003eInspired by a deliberately literal interpretation of the death drive and its sublimation, Ch’ahom explores culture as a response to an irresistible desire for self-erasure. Mutilation, vicarious sacrifice, enslavement and willing surrender become the foundations of competing societies awaiting the cenote’s periodic opening. Ch’ahom transforms this dark fiction into an immense ritual of sound, portraying humanity through its terrifying ingenuity: creating faith, beauty and entire civilizations upon the edge of annihilation.\u003c\/p\u003e","brand":"Ch’ahom","offers":[{"title":"Default Title","offer_id":67871989661941,"sku":"SPIN 224 CD","price":29.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/a1618732006_10.jpg?v=1793245076"},{"product_id":"chahom-anthropic-rites-of-sublimation-lp","title":"Ch’ahom – Anthropic Rites Of Sublimation LP","description":"\u003cp\u003eGerman black\/death cult Ch’ahom offer upon the altar of sacrifice their 2nd album ‘Anthropic Rites of Sublimation’, a concept album set in a fictional world inspired by the rituals, art and architecture of pre-Hispanic cultures. Continuing where their “Ts’ono’ot” EP ended, its story unfolds around a cenote of impossible dimensions whose cosmic call draws the lost and uncertain toward self-sacrifice. Four civilizations rise along its edge, each developing its own rites, hierarchies and monuments to transform the abyss’s fatal summons into a foundation for collective existence.\u003c\/p\u003e\n\n\u003cp\u003eCh’ahom gives this imagined world form through cavernous death metal, bestial eruptions and feverishly progressive structures. Savage riffing coils through suffocating chambers of rhythmic conjuration while ancient instrumentation emerges from the tumult like echoes inside a buried temple. ‘Anthropic Rites of Sublimation’ moves like the cenote itself, drawing the listener inward through an ecstatic and ever-deepening sense of the unknown.\u003c\/p\u003e\n\n\u003cp\u003eInspired by a deliberately literal interpretation of the death drive and its sublimation, Ch’ahom explores culture as a response to an irresistible desire for self-erasure. Mutilation, vicarious sacrifice, enslavement and willing surrender become the foundations of competing societies awaiting the cenote’s periodic opening. Ch’ahom transforms this dark fiction into an immense ritual of sound, portraying humanity through its terrifying ingenuity: creating faith, beauty and entire civilizations upon the edge of annihilation.\u003c\/p\u003e","brand":"Ch’ahom","offers":[{"title":"Xamanic Royalty","offer_id":67871989858549,"sku":"SPIN 224","price":44.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/a1618732006_10_b0e97ef8-a7c1-4561-a07a-0ea23f5f08d8.jpg?v=1793245077"},{"product_id":"dissimulator-artifice-dissolves-cd","title":"Dissimulator – Artifice Dissolves CD","description":"\u003cp\u003eWith ‘Artifice Dissolves’, Montreal's Dissimulator accelerate beyond the formidable sonic coordinates established by ‘Lower Form Resistance’ and plunge headlong into a future world where technological hegemony and catastrophic entropy exist in perfect equilibrium. Their jagged sci-fi Death-Thrash has evolved into an ever more labyrinthine construct, fusing serrated riff matrices and volatile rhythmic architecture into an algorithm-obliterating neural hack.\u003c\/p\u003e\n\n\u003cp\u003e‘Artifice Dissolves’ propels itself like an untethered artificial consciousness recursively rewriting its own code, with each movement revealing another phantasmagorical dimension within Dissimulator's bionic mythology. Razor-wire guitar lines, alien yet familiar, whiplash and intersect at impossible angles whilst the rhythm section drives songs like ‘Alloyed’ and ‘Neon Metropolis’ through perpetual states of intensifying velocity, collapse, and reassembly, creating a surging sense of momentum undeterred by its relentless intricacy.\u003c\/p\u003e\n\n\u003cp\u003eAn awe-inspiring convergence of futuristic world-building and unrestrained, unapologetic technical aggression, ‘Artifice Dissolves’ is a cyborg hallucination of a civilization wasting away in the sunless gutters of its autonomous megacities, the warped fever dreams of an omniscient God-machine, and the malignant side-effects of its cybernetic enhancements. And beneath the album's dazzling precision and violent thrust Dissimulator maintain a timeless human striving for order and transcendence beyond the technological.\u003c\/p\u003e","brand":"Dissimulator","offers":[{"title":"Default Title","offer_id":67871990022389,"sku":"SPIN 227 CD","price":24.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/a1924295526_10.jpg?v=1793245079"},{"product_id":"dissimulator-artifice-dissolves-lp","title":"Dissimulator – Artifice Dissolves LP","description":"\u003cp\u003eWith ‘Artifice Dissolves’, Montreal's Dissimulator accelerate beyond the formidable sonic coordinates established by ‘Lower Form Resistance’ and plunge headlong into a future world where technological hegemony and catastrophic entropy exist in perfect equilibrium. Their jagged sci-fi Death-Thrash has evolved into an ever more labyrinthine construct, fusing serrated riff matrices and volatile rhythmic architecture into an algorithm-obliterating neural hack.\u003c\/p\u003e\n\n\u003cp\u003e‘Artifice Dissolves’ propels itself like an untethered artificial consciousness recursively rewriting its own code, with each movement revealing another phantasmagorical dimension within Dissimulator's bionic mythology. Razor-wire guitar lines, alien yet familiar, whiplash and intersect at impossible angles whilst the rhythm section drives songs like ‘Alloyed’ and ‘Neon Metropolis’ through perpetual states of intensifying velocity, collapse, and reassembly, creating a surging sense of momentum undeterred by its relentless intricacy.\u003c\/p\u003e\n\n\u003cp\u003eAn awe-inspiring convergence of futuristic world-building and unrestrained, unapologetic technical aggression, ‘Artifice Dissolves’ is a cyborg hallucination of a civilization wasting away in the sunless gutters of its autonomous megacities, the warped fever dreams of an omniscient God-machine, and the malignant side-effects of its cybernetic enhancements. And beneath the album's dazzling precision and violent thrust Dissimulator maintain a timeless human striving for order and transcendence beyond the technological.\u003c\/p\u003e","brand":"Dissimulator","offers":[{"title":"Autobots","offer_id":67871990218997,"sku":"SPIN 227","price":44.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/a1924295526_10_6d7df3af-d683-4ad4-92cd-761c994d6884.jpg?v=1793245080"},{"product_id":"dream-unending-certain-uncertainties-cd","title":"Dream Unending – Certain Uncertainties CD","description":"\u003cp\u003eWith their first two albums Dream Unending transformed the familiar architecture of Death Doom into a place of their own making. A language where cavernous heaviness could coexist with progressive rock, ambient music, jazz-informed improvisation and a disarming emotional candor. On new album ‘Certain Uncertainties’ that expression remains intact, but its gaze has shifted. Where previous records often seemed to reach upward and outward, this one comes back down to earth: leaner in construction, rougher around the edges and possessed of a distinctly nocturnal atmosphere. Call it Adult Contemporary Doom perhaps; music of considerable weight that has nevertheless learned how much can be said by leaving certain things unsaid.\u003c\/p\u003e\n\n\u003cp\u003eRecorded with fewer layers and a deliberately more immediate instrumental approach, ‘Certain Uncertainties’ gives the individual performances room to breathe. Derrick Vella's guitars move through blues, jazz and progressive vocabulary with unusual freedom, at times carrying the open-ended character of American roots music into territory rarely encountered within Doom. Justin DeTore's drums are present throughout, lending the album a more physical momentum and helping its compositions arrive at their destinations with greater economy. Yet concision has not diminished Dream Unending's taste for release: the opening and closing pieces in particular build toward enormous pressure points, while the spaces between allow Vella's playing to wander, react and occasionally remain imperfect. Each song operates as its own vignette; part desert reverie, part after-hours noir; with traces of Western landscape, dim rooms and empty roads running throughout the album.\u003c\/p\u003e\n\n\u003cp\u003eThat earthbound quality suits an album concerned, at its core, with instability and reconstruction. Written during a period in which Vella was rebuilding his own sense of confidence in risk-taking, ‘Certain Uncertainties’ carries doubt within it without surrendering to despair. The bruised balladry of “I Carry Your Burden,” (featuring guest vocals by Brendan Radigan) the improvisational openness of the title track and the album's uglier eruptions of Death Doom all belong to the same emotional terrain: beauty and discomfort allowed to occupy the same frame. If Dream Unending's earlier work imagined another world beyond the limits of heavy music, ‘Certain Uncertainties’ finds something equally strange in the one beneath our feet. A record of dry air, long shadows, unresolved questions and the stubborn impulse to keep moving through them.\u003c\/p\u003e","brand":"Dream Unending","offers":[{"title":"Default Title","offer_id":67871990382837,"sku":"SPIN 214 CD","price":24.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/a3202484949_10.jpg?v=1793245083"},{"product_id":"dream-unending-certain-uncertainties-lp","title":"Dream Unending – Certain Uncertainties LP","description":"\u003cp\u003eWith their first two albums Dream Unending transformed the familiar architecture of Death Doom into a place of their own making. A language where cavernous heaviness could coexist with progressive rock, ambient music, jazz-informed improvisation and a disarming emotional candor. On new album ‘Certain Uncertainties’ that expression remains intact, but its gaze has shifted. Where previous records often seemed to reach upward and outward, this one comes back down to earth: leaner in construction, rougher around the edges and possessed of a distinctly nocturnal atmosphere. Call it Adult Contemporary Doom perhaps; music of considerable weight that has nevertheless learned how much can be said by leaving certain things unsaid.\u003c\/p\u003e\n\n\u003cp\u003eRecorded with fewer layers and a deliberately more immediate instrumental approach, ‘Certain Uncertainties’ gives the individual performances room to breathe. Derrick Vella's guitars move through blues, jazz and progressive vocabulary with unusual freedom, at times carrying the open-ended character of American roots music into territory rarely encountered within Doom. Justin DeTore's drums are present throughout, lending the album a more physical momentum and helping its compositions arrive at their destinations with greater economy. Yet concision has not diminished Dream Unending's taste for release: the opening and closing pieces in particular build toward enormous pressure points, while the spaces between allow Vella's playing to wander, react and occasionally remain imperfect. Each song operates as its own vignette; part desert reverie, part after-hours noir; with traces of Western landscape, dim rooms and empty roads running throughout the album.\u003c\/p\u003e\n\n\u003cp\u003eThat earthbound quality suits an album concerned, at its core, with instability and reconstruction. Written during a period in which Vella was rebuilding his own sense of confidence in risk-taking, ‘Certain Uncertainties’ carries doubt within it without surrendering to despair. The bruised balladry of “I Carry Your Burden,” (featuring guest vocals by Brendan Radigan) the improvisational openness of the title track and the album's uglier eruptions of Death Doom all belong to the same emotional terrain: beauty and discomfort allowed to occupy the same frame. If Dream Unending's earlier work imagined another world beyond the limits of heavy music, ‘Certain Uncertainties’ finds something equally strange in the one beneath our feet. A record of dry air, long shadows, unresolved questions and the stubborn impulse to keep moving through them.\u003c\/p\u003e","brand":"Dream Unending","offers":[{"title":"Horizon Marble","offer_id":67871991005429,"sku":"SPIN 214","price":44.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/a3202484949_10_1c0f9004-4f7f-4fa5-a22a-148120616501.jpg?v=1793245085"},{"product_id":"dungeon-serpent-lamentations-of-the-shadowkingdoms-cd","title":"Dungeon Serpent – Lamentations Of The Shadowkingdoms CD","description":"\u003cp\u003eAfter five years of silence and meticulous work Dungeon Serpent returns with their second album Lamentations of the Shadowkingdoms.Having already constructed a standout style of death metal with World of Sorrows sharply focused upon fusing morbid and romantic strains of extreme metal from before metal’s turn-of-the-century involution, Dungeon Serpent now boldly looks to a future of their own creation and stretches their limbs to new horizons, breathing new life into the ruined world presented in the first album. Thus this new album is a work of grand ambition and unbowed passion, not content to merely fine-tune and repeat what has already been done in a bygone age.\u003c\/p\u003e\n\n\u003cp\u003eYet with this expansion, Lamentations of the Shadowkingdoms presents a work united as a great whole. Each of the six pieces are tonally distinct but thematically bound and flow into a monolithic singular entity. This vision is executed with greater clarity, enhanced skill, focus and the addition of new members to the horde, such as drummer Bhraonáin (Fake Dust). The music is now played with a speed and ferocity well beyond what was achieved on the first album, and the technique of the core instrumentation is more eclectic, drawing more freely from black metal, brutal death metal, and even as far as jazz and grind, as well as a sharper mix courtesy of Subterranean Watchtower Studios that allows elements such as agile basslines to be heard with much more clarity. The music cleanly flows between this ferocity and an almost cosmic sense of orchestral grandiosity, owing to the expanded instrumentation within the songs, chiefly mystical keyboards in the Hellenic tradition and violins provided by string player and contemporary composer Anju Singh (The Nausea), as well as many other adventurous atmospheric and textural flourishes.\u003c\/p\u003e\n\n\u003cp\u003eLamentations of the Shadowkingdoms is a work that expresses both the untempered rawness and ferocity but also the latent musical potential within the truest essence of death metal in one breath, realized and entwined as extensions of one and the same principle.\u003c\/p\u003e","brand":"Dungeon Serpent","offers":[{"title":"Default Title","offer_id":67871991234805,"sku":"PFL 350 CD","price":29.95,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/a2267214066_10.jpg?v=1793245086"},{"product_id":"dungeon-serpent-lamentations-of-the-shadowkingdoms-lp","title":"Dungeon Serpent – Lamentations Of The Shadowkingdoms LP","description":"\u003cp\u003eAfter five years of silence and meticulous work Dungeon Serpent returns with their second album Lamentations of the Shadowkingdoms.Having already constructed a standout style of death metal with World of Sorrows sharply focused upon fusing morbid and romantic strains of extreme metal from before metal’s turn-of-the-century involution, Dungeon Serpent now boldly looks to a future of their own creation and stretches their limbs to new horizons, breathing new life into the ruined world presented in the first album. 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The music cleanly flows between this ferocity and an almost cosmic sense of orchestral grandiosity, owing to the expanded instrumentation within the songs, chiefly mystical keyboards in the Hellenic tradition and violins provided by string player and contemporary composer Anju Singh (The Nausea), as well as many other adventurous atmospheric and textural flourishes.\u003c\/p\u003e\n\n\u003cp\u003eLamentations of the Shadowkingdoms is a work that expresses both the untempered rawness and ferocity but also the latent musical potential within the truest essence of death metal in one breath, realized and entwined as extensions of one and the same principle.\u003c\/p\u003e","brand":"Dungeon Serpent","offers":[{"title":"Black","offer_id":67871991759093,"sku":"PFL 350","price":44.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/a2267214066_10_71371147-e906-472f-858b-28bd0d083f60.jpg?v=1793245089"},{"product_id":"genital-shame-wellnessplan-mc","title":"Genital Shame – Wellness Plan MC","description":"\u003cp\u003eWhat keeps you alive? Your will? Your conscious mind? Your choice to remain open, alert, present? Or is it something just beyond your grasp: an obscure automatic process, quietly carrying you forward until it doesn’t?\u003c\/p\u003e\n\n\u003cp\u003eThese are the questions that haunt Wellness Plan, the second full-length album by Genital Shame, the solo project of musician Erin Dawson. Her music exists in a dissociative fog where terror, resignation, and determination become nearly impossible to separate. On Wellness Plan, Dawson widens that world, folding black metal and noise together with fragile moments of stillness.\u003c\/p\u003e\n\n\u003cp\u003eDawson’s approach is informed by a background in music education and classical guitar, which she brings to her own strange iteration of experimental music rooted in black metal.\u003c\/p\u003e\n\n\u003cp\u003eWellness Plan is harmonically dense, with riffs and melodies folding into one another in unexpected ways. It draws from a tradition of weirdo black metal that treats the genre less as a fixed language than as something to pull apart, distort, and reassemble.\u003c\/p\u003e\n\n\u003cp\u003eWhile making Wellness Plan, Dawson encountered old microscopic footage of white blood cells searching for viruses. “I love the idea that even if you struggle with and mask a deep self-hate, there’s something microscopic inside you voting for your continued, healthy existence—even if you feel like you don’t deserve it,” she says. “It’s also about the idea that as beautiful as that image is, it’s still not quite enough.”\u003c\/p\u003e\n\n\u003cp\u003eDawson describes Wellness Plan as “a process of acceptance through images of disappearing.” The contradiction between the desire to disappear and the body’s impulse to survive runs throughout the record, returning to the question of how much control we have over our own survival.\u003c\/p\u003e","brand":"Genital Shame","offers":[{"title":"Default Title","offer_id":67871991857397,"sku":"FR 194 MC","price":29.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/a3920331369_10.jpg?v=1793245090"},{"product_id":"godthrymm-projections-lp","title":"Godthrymm – Projections LP","description":"\u003cp\u003eWith their third album Projections, UK doom metal juggernaut Godthrymm have completed their Visions Trilogy begun with 2020’s their Reflections debut album and followed with 2023’s acclaimed Distortions. During the band’s discourse since the release of Reflections, Godthrymm have been recognized as the new emerging band from the UK to bring back the glorious aura of early-mid ‘90s UK doom metal, most notably formulated by the Peaceville Three (My Dying Bride, Paradise Lost, Anathema). As expected, considering the band was formed and helmed by UK doom metal veteran Hamish Glencross (ex-My Dying Bride \/ Vallenfyre \/ Solstice) and features doom metal drummer extraordinaire Shaun Taylor-Steels (ex-My Dying Bride \/ Anathema \/ Solstice). So in this sense, the classic UK doom metal DNA has already been implemented within their sonic fabric.\u003c\/p\u003e\n\n\u003cp\u003eProjections sees Godthrymm continue to develop and broaden their sound even further, building upon the cornerstones of Distortions. Now with an expanded lineup which includes keyboardist co-vocalist Catherine Glencross, bassist Bob Crolla and new second guitarist Kris McLaughin, Projections is their most layered, varied and complex release yet, all while still upholding the colossal emotionally charged heavy doom backbone that has defined the core of the band’s sound.\u003c\/p\u003e","brand":"Godthrymm","offers":[{"title":"Irridescent Green","offer_id":67871992348917,"sku":"PFL 346 G","price":44.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/a3364390682_10_d520ba14-f995-45cb-bdd0-53e8291a6b9d.jpg?v=1793245092"},{"product_id":"hulder-verbolgen-lp","title":"Hulder – Verbolgen LP","description":"\u003cp\u003eAnswering the call of the ancestral fires and forest spirits, Hulder returns with its third full length statement Verbolgen. Over the course of those three albums, Hulder has evolved from the vision of a solitary black metal entity into something more expansive and collaborative, though still guided by the strident vision of its creator and namesake. On Verbolgen long-time session member Necreon steps forward to join Hulder as full-fledged co-conspirator, amplifying the duos sweeping solemnity.\u003c\/p\u003e\n\n\u003cp\u003eAcross nine tracks, Verbolgen deepens Hulder’s characteristic balance of scathing black metal and windswept melancholy through increasingly layered arrangements and ritualistic atmosphere. Whether with the brutal immediacy of “View from Nemeton” or the ceremonial mid-paced summoning of “In Blood and In Earth,” Hulder’s signature sound is more immense and malevolent than ever. Joined on session drums by both Vapula (the band’s live drummer) and Vrolok of the legendary Aeternus as well as live second guitar player Keld (Majesties, Obsequiae), who here contributes additional leads, keys and hurdy gurdy, the Hulder universe widens its collaborative disposition to a new creative level.\u003c\/p\u003e\n\n\u003cp\u003eAs with the previous album Verses In Oath the mix has been handled by Ahti Kortelainen at Tico Tico Studio in Finland, giving the album an earthy resonance befitting its obsessions with blood, landscape and spiritual inheritance. Verbolgen also features cover art created by Morrigan of Aeternus, her first cover work since contributing art for the earliest Aeternus LPs nearly thirty years ago. The result is a towering and immersive work that cements Verbolgen as the most potent and immersive expression of Hulder’s artistic vision to date.\u003c\/p\u003e","brand":"Hulder","offers":[{"title":"Default Title","offer_id":67871992578293,"sku":"SPIN 220 X","price":44.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/a3933092573_10.jpg?v=1793245093"},{"product_id":"hulder-verbolgen-cd","title":"Hulder – Verbolgen CD","description":"\u003cp\u003eAnswering the call of the ancestral fires and forest spirits, Hulder returns with its third full length statement Verbolgen. Over the course of those three albums, Hulder has evolved from the vision of a solitary black metal entity into something more expansive and collaborative, though still guided by the strident vision of its creator and namesake. 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Joined on session drums by both Vapula (the band’s live drummer) and Vrolok of the legendary Aeternus as well as live second guitar player Keld (Majesties, Obsequiae), who here contributes additional leads, keys and hurdy gurdy, the Hulder universe widens its collaborative disposition to a new creative level.\u003c\/p\u003e\n\n\u003cp\u003eAs with the previous album Verses In Oath the mix has been handled by Ahti Kortelainen at Tico Tico Studio in Finland, giving the album an earthy resonance befitting its obsessions with blood, landscape and spiritual inheritance. Verbolgen also features cover art created by Morrigan of Aeternus, her first cover work since contributing art for the earliest Aeternus LPs nearly thirty years ago. The result is a towering and immersive work that cements Verbolgen as the most potent and immersive expression of Hulder’s artistic vision to date.\u003c\/p\u003e","brand":"Hulder","offers":[{"title":"Default Title","offer_id":67871992807669,"sku":"SPIN 220 CD","price":24.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/a3933092573_10_d1386951-0db8-4429-8b9a-c19ec4a9d1aa.jpg?v=1793245095"},{"product_id":"incapacitants-bastard-noise-plagued-enigma-lp","title":"Incapacitants \/ Bastard Noise – Plagued Enigma LP","description":"\u003cp\u003eTwo titans of noise combine. \u003cmeta charset=\"utf-8\"\u003eIncludes a double-sided insert. 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Reaching the milestone of the fourth full-length release, mastermind A. Lampe’s unrelinquishing sonic weapon of mass extermination does not relent, and instead, doubles down, overloading its yield of terror to perpetrate a violent reign of cruelty and destruction. Riffs cascade, sprawl and suffocate, ensnaring forty minutes of the listener’s life into an inescapable assault. The rhythm section enframes the chaos, sustaining the merciless advance with waves of carpet bombing blasts and smoldering bass lines to scorch the earth and cleanse the battlefield with fire. While Lampe’s vocals reproclaim the reign of terror through the project’s staple promulgation of warmongering edicts and bestial calls for human meat to be consumed like fodder and be disintegrated inside the shellshock. Fans of Angelcorpse, Archgoat, and Cruciamentum will instantly recognize and embrace the belligerent pedigree of one of America’s greatest underground death metal secrets, while those already familiar with the band will find it reinvigorated and resplending in its most feral and barbaric state yet.\u003c\/p\u003e","brand":"Invultation","offers":[{"title":"Default Title","offer_id":67871993430261,"sku":"SRUIN 266 CD","price":29.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/a0064845284_2.jpg?v=1793245099"},{"product_id":"invultation-inferno-descends-lp","title":"Invultation – Inferno Descends LP","description":"\u003cp\u003eThe skull-crushing new album from Ohio's bestial death metal one-man army Invultation: dark, feral death metal to end humanity's days. Aural warfare transmuting forth into apocalyptic chaos, conquering its most lawless and antihuman triumph yet. 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One that slightly recalls the earlier phase of the band yet continues in the forward-thinking\/next level singular sonic histrionics that the band have continued to expand and morph upon throughout the years.  While the band have been experimenting more with their sound (band members switching roles, the band diving into more ambient and experimental territory etc.) over the last little while, Scour Order sees KRALLICE tether slightly back to more of a progressive black metal aura akin to the first four LPs.\u003c\/p\u003e","brand":"Krallice","offers":[{"title":"Default Title","offer_id":67871993725173,"sku":"PFL 351 CD","price":29.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/a3708241666_10.jpg?v=1793245102"},{"product_id":"krallice-scourorder-lp","title":"Krallice – Scour Order 2LP","description":"\u003cp\u003eFor their new album Scour Order, their sixteenth release, KRALLICE comes full circle and returns to Profound Lore (who initially released the band’s first three releases) with a new album that is raging and dark, dense but also expansive.  One that slightly recalls the earlier phase of the band yet continues in the forward-thinking\/next level singular sonic histrionics that the band have continued to expand and morph upon throughout the years.  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From the opening assault of “Forkboy” (later featured on the Natural Born Killers soundtrack) to the twisted brilliance of “Pineapple Face,” “Drug Raid at 4 AM,” and their unhinged reinvention of “They’re Coming to Take Me Away,” (originally performed by Napoleon XIV), LARD created a collection of songs that still sounds unlike anything before or since.\u003c\/p\u003e\n\n\u003cp\u003eThis new edition has been worth the wait. After production setbacks and multiple rounds of test pressings, Jello Biafra personally halted the project to completely remaster the album, ensuring it finally received the sonic treatment it deserved. The result is the best-sounding vinyl edition of The Last Temptation of Reid ever released. As a special bonus, this edition now includes bonus one sided 12” vinyl of “I Am Your Clock.” Originally a UK exclusive 12”, it’s never been repressed until now.\u003c\/p\u003e\n\n\u003cp\u003eOriginally released on Alternative Tentacles in 1990, The Last Temptation of Reid captured the paranoia, hypocrisy, corruption, and media madness of its era with razor-sharp wit and a patented wall of noise and sonic wizardry. The unsettling truth is that it may hit even harder today.\u003c\/p\u003e","brand":"Lard","offers":[{"title":"Default Title","offer_id":67871994151157,"sku":"VIRUS 084 CD","price":19.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/a3647015019_2.jpg?v=1793245105"},{"product_id":"lard-last-temptation-of-reid-lp","title":"Lard – Last Temptation Of Reid LP + 12\"","description":"\u003cp\u003eIndustrial noise terrorists LARD, the legendary collision of Jello Biafra and Ministry masterminds Al Jourgensen and Paul Barker, return with the long-awaited repress of their 1990 full-length masterpiece, The Last Temptation of Reid.\u003c\/p\u003e\n\n\u003cp\u003eA vicious fusion of industrial metal, punk rock, political outrage, and black humor, The Last Temptation of Reid remains as relevant, confrontational, and sonically devastating today as it was when it first detonated over three decades ago. From the opening assault of “Forkboy” (later featured on the Natural Born Killers soundtrack) to the twisted brilliance of “Pineapple Face,” “Drug Raid at 4 AM,” and their unhinged reinvention of “They’re Coming to Take Me Away,” (originally performed by Napoleon XIV), LARD created a collection of songs that still sounds unlike anything before or since.\u003c\/p\u003e\n\n\u003cp\u003eThis new edition has been worth the wait. After production setbacks and multiple rounds of test pressings, Jello Biafra personally halted the project to completely remaster the album, ensuring it finally received the sonic treatment it deserved. The result is the best-sounding vinyl edition of The Last Temptation of Reid ever released. 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Lyrically its pessimistic and apocalyptic, tackling topics like looking for work, the legacy of the Me Generation and their failures, to environmental disasters. Sonically, the album is an avalanche of both real and electronic drums, menacing effects galore, and layers of machine gun guitars. Not quite punk rock, nor completely industrial—this is Lardcore for the people!\u003c\/p\u003e\n\n\u003cp\u003eA must have for fans of Jello Biafra’s work and of Ministry, the result remains another classic release from this legendary collaboration.\u003c\/p\u003e","brand":"Lard","offers":[{"title":"Default Title","offer_id":67871995232501,"sku":"VIRUS 199 CD","price":19.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/a0246210509_2.jpg?v=1793245109"},{"product_id":"lugubrious-garment-in-the-wide-vale-of-uncreated-night-cd","title":"Lugubrious Garment – In The Wide Vale Of Uncreated Night CD","description":"\u003cp\u003eFollowing the ferocious declaration of intent laid down by 2025's Demo MMXXV, Milan-based musician Gabriele Gramaglia offers the first full-length manifestation of Lugubrious Garment, ‘In The Wide Vale Of Uncreated Night’. Known for his work with Cosmic Putrefaction, Vertebra Atlantis and numerous other entities operating within the more adventurous reaches of extreme metal, Gramaglia established Lugubrious Garment as an outlet for a more ravenous and instinctive strain of Death Metal; one driven by brute momentum, frenzied aggression and an uncompromising rawness. On ‘In The Wide Vale Of Uncreated Night’ that initial impulse erupts into a considerably more formidable and fully developed beast.\u003c\/p\u003e\n\n\u003cp\u003eWhile retaining the layered, multifaceted songwriting characteristic of Gramaglia's broader body of work, Lugubrious Garment directs that complexity toward outright pandemonium. Gritty, abrasive guitars churn through pummeling and intricate rhythmic contortions as tortured vocals howl from within the tumult and cascades of shrieking lead guitar slash across the album's fractured landscape. Yet beneath its seemingly unrestrained violence lies a meticulously engineered attack: riffs twist and collide at excessive velocity, tempos lurch between hammering force and sudden acceleration, and flashes of classic Heavy and Speed Metal emerge through the wreckage before being swallowed by the surrounding maelstrom.\u003c\/p\u003e\n\n\u003cp\u003e‘In The Wide Vale Of Uncreated Night’ thrives upon this collision of precision and savagery, harnessing technical ability as another weapon in an arsenal built for maximum destructive force. Lugubrious Garment channels the restless imagination behind Gramaglia's other work into something noticeably more feral and antagonistic; a sustained barrage of serrated riffing, relentless battery and deranged metallic energy. ‘In The Wide Vale Of Uncreated Night’ tears open the gates on Lugubrious Garment's first full-length campaign with a frenzied Death Metal assault built to leave nothing standing in its wake.\u003c\/p\u003e","brand":"Lugubrious Garment","offers":[{"title":"Default Title","offer_id":67871996281077,"sku":"SPIN 230 CD","price":24.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/a1152936593_2.jpg?v=1793245111"},{"product_id":"lugubrious-garment-in-the-wide-vale-of-uncreated-night-lp","title":"Lugubrious Garment – In The Wide Vale Of Uncreated Night LP","description":"\u003cp\u003eFollowing the ferocious declaration of intent laid down by 2025's Demo MMXXV, Milan-based musician Gabriele Gramaglia offers the first full-length manifestation of Lugubrious Garment, ‘In The Wide Vale Of Uncreated Night’. Known for his work with Cosmic Putrefaction, Vertebra Atlantis and numerous other entities operating within the more adventurous reaches of extreme metal, Gramaglia established Lugubrious Garment as an outlet for a more ravenous and instinctive strain of Death Metal; one driven by brute momentum, frenzied aggression and an uncompromising rawness. On ‘In The Wide Vale Of Uncreated Night’ that initial impulse erupts into a considerably more formidable and fully developed beast.\u003c\/p\u003e\n\n\u003cp\u003eWhile retaining the layered, multifaceted songwriting characteristic of Gramaglia's broader body of work, Lugubrious Garment directs that complexity toward outright pandemonium. Gritty, abrasive guitars churn through pummeling and intricate rhythmic contortions as tortured vocals howl from within the tumult and cascades of shrieking lead guitar slash across the album's fractured landscape. 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Here, it is evident that Mother of Graves have no intention of slowing their evolution into fully realized territory as a quintet. The album is driven by the sharpened songwriting of guitarists Chris Morrison and Ben Sandman, the unrelenting foundation of bassist Corey Clark and drummer Don Curtis, and the expressive, poetic cadence of vocalist\/keyboardist Brandon Howe.\u003c\/p\u003e\n\n\u003cp\u003eSeamlessly forging the aggression and power of death metal with the melancholic and romantic edge of melodic doom, ‘The Light that Keeps Us’ is crushing, hauntingly human, and a true showcase of the band's authenticity in their expression and care for the genre. Each track serving as a hand to guide the listener through the introspective journey of mortality, sorrow, love and resilience. The band’s dynamic continues to grow under the production of guitarist Ben Sandman, whose work behind the console keeps personal touch prevalent within their music, stripping away the excess and amplifying the things that matter.\u003c\/p\u003e\n\n\u003cp\u003eAt the helm of visual depictions, fine artist Larisa Brechun perfectly captures the weight and depth of the music in her cover painting, providing evocative imagery to accompany the band’s bleak yet uplifting nature. It has become a standard throughout their years to recruit legend Dan Swanö for his mastering expertise, but this time a greater gift presented itself as Dan proudly delivered guest vocals on the track “Wingless Soul”. A full circle moment in the band’s existence, as it gives the album that much more of a special and significant engraving within the world of death doom.\u003c\/p\u003e\n\n\u003cp\u003eWith ‘The Light that Keeps Us’, Mother of Graves brings to you 8 tracks of despairing beauty laced in emotion and fierce purpose, marking yet another milestone in their promising career.\u003c\/p\u003e","brand":"Mother of Graves","offers":[{"title":"Default Title","offer_id":67871998738677,"sku":"PFL 352 CD","price":29.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/a1285455815_2.jpg?v=1793245116"},{"product_id":"mother-of-graves-the-light-that-keeps-us-lp","title":"Mother of Graves – The Light That Keeps Us LP","description":"\u003cp\u003eAfter two years of meticulous crafting and the lasting impact left behind from their sophomore offering ‘The Periapt of Absence’, which claimed a #11 spot on Decibel Magazine’s Top 40 AOTY and tore through countless year-end lists, Indianapolis death-doom titans Mother of Graves return alongside Profound Lore Records with ‘The Light that Keeps Us’ - set for release on October 16th, 2026. Here, it is evident that Mother of Graves have no intention of slowing their evolution into fully realized territory as a quintet. The album is driven by the sharpened songwriting of guitarists Chris Morrison and Ben Sandman, the unrelenting foundation of bassist Corey Clark and drummer Don Curtis, and the expressive, poetic cadence of vocalist\/keyboardist Brandon Howe.\u003c\/p\u003e\n\n\u003cp\u003eSeamlessly forging the aggression and power of death metal with the melancholic and romantic edge of melodic doom, ‘The Light that Keeps Us’ is crushing, hauntingly human, and a true showcase of the band's authenticity in their expression and care for the genre. Each track serving as a hand to guide the listener through the introspective journey of mortality, sorrow, love and resilience. The band’s dynamic continues to grow under the production of guitarist Ben Sandman, whose work behind the console keeps personal touch prevalent within their music, stripping away the excess and amplifying the things that matter.\u003c\/p\u003e\n\n\u003cp\u003eAt the helm of visual depictions, fine artist Larisa Brechun perfectly captures the weight and depth of the music in her cover painting, providing evocative imagery to accompany the band’s bleak yet uplifting nature. It has become a standard throughout their years to recruit legend Dan Swanö for his mastering expertise, but this time a greater gift presented itself as Dan proudly delivered guest vocals on the track “Wingless Soul”. 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Now, having further fortified their ominous fusion of shadowed disharmony, Nightfell march forward with ‘Darkness Evermore’, a commanding display of power, tension and dynamics.\u003c\/p\u003e\n\n\u003cp\u003eOnce more defying easy classification, ‘Darkness Evermore’ seethes with fiery, apocalyptic energy from the opening moments of ‘At Last’ until the final ‘Collapse’ and through the cycle of ‘The Cleansing’ and ‘Rebirth’ in between. Ranging from short respites to 10+ minute epics, the album’s blackened guitar harmonies and bleak melodies provide a somber counterpoint to the massive, imposing riffs strewn about the record like bodies on a war torn field. Unsurprisingly considering the primary members' other musical outlets, the immense ferocity of the vocals exact a heavy toll and agonizing dread. 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Over the years they played alongside nearly every single legendary band in their respective genre and even further out into the realm of punk and despair-driven underground music. They made friends along the ay, but one special friendship in particular was with the folks in Dystopia.\u003c\/p\u003e\n\n\u003cp\u003eWhen Gary decided he wanted to focus solely on Bass, Noothgrush wanted to bring in a standalone vocalist. For almost any other group 2 decades into their career to bring in new voice would be blasphemous, but in the case of Noothgrush, Dino Sommese was a perfect fit because he was a massive fan of theirs. Aligning two of the the most respected bands in the extreme punk underworld under one banner is unheard of...\u003c\/p\u003e\n\n\u003cp\u003eThis is the definitive collection of the Dino Sommese, Dystopian era of NOOTHGRUSH. A culmination of more than thirty years of friendship in the metal and punk underground. Recorded by Greg Wilkinson and featuring their final track together, previously unreleased until now!\u003c\/p\u003e","brand":"Noothgrush","offers":[{"title":"Psychedellic Marble","offer_id":67871999295733,"sku":"COSMIC 35","price":39.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/a3221833301_2.jpg?v=1793245122"},{"product_id":"orcuttbill-fourlouieslive-lp","title":"Orcutt, Bill – Four Louies Live LP","description":"\u003cp\u003eRecorded live in concert March 21 2026 at Roulette Intermedium, Brooklyn NY.\u003cbr\u003e\n“Upon seeing the Instagram post announcing the upcoming LP release of Bill Orcutt’s The Four Louies, an inspired mashup plonking excerpts from Steve Reich’s epochal Minimalist slo-mo phase variant Four Organs onto the Kingsmen’s equally canonical garage\/frat\/mumblecore chestnut “Louie Louie,” I immediately commented “Kingsreich as opposed to Qüeensryche” (not even realizing the Kingsmen and Qüeensryche both hailed from the Pacific Northwest). My bon mot was seemingly rewarded with a mailed copy, and upon receipt I luxuriated in Bill’s latest open-source leveling of rock and classical minimalist tropes, a worthy successor to A Mechanical Joey’s tautological tomfoolery. I was jazzed when a year or so later he inquired if I would be up for taking part in Louies live in New York. I wasn’t sure how familiar Bill was with my checkered history of untutored organ playing (both in Run On and solo contexts, not to mention a short-lived go at the pipe organ with Connie Burg and Haino Keiji), but he also tapped fellow guitarists\/non-organists Wendy Eisenberg, Mari Rubio, and Cyrus Pireh, plus a couple of ringers (David Golightly and musical director Eli Knowles). So that’s already six organs instead of four, flanked by a full-fledged rock trio (the nimble Gumby’s Junk), a noise-tablist (Bryan Day), master percussionist William Winant, and frequent Orcutt sparring partner Chris Corsano—a veritable Orcuttstra, whose ranks exceeded the lineups of the Kingsmen and Qüeensryche put together.\u003c\/p\u003e\n\n\u003cp\u003eWith the performance scheduled as the fulcrum of a three-day weekend residency of various artists\/projects on Bill’s label (which I dubbed “Palilaliapalooza”), I dutifully showed up at Roulette at noon on concert day, having carefully studied the provided staff notation, graphic scores, and recording so as to be confident I was playing the assigned single-note triplet in its properly appointed spots. Initially my part (“Louie Organ 2”) sort of hockets the original Kingsmen cha-cha-cha organ chords, and then I got to spread my knuckles and lend six to eight notes to the Reichian clusters in the rollicking second half. Much like my experiences playing in Rhys Chatham’s Guitar Trio or the Boredoms 77 Boadrum, the parts are simple but everyone can put their own spin on them. I opted for using a weird-ass 60s Teisco organ from the venue’s keyboard backline, which truly fit the bill. There were four hours allotted for rehearsal (one per Louie, I guess) but we managed to nail it in 90 minutes. Bill begged off playing in the rehearsal so he could oversee the proceedings (and perhaps also shop for a new hoodie online).\u003c\/p\u003e\n\n\u003cp\u003eAfter some downtime and enjoyable band bonding backstage, we finally traipsed upstairs and hit the downbeat. Frankly, it exceeded all expectations. The Four Louies album is well-executed but, given its plunderphonic provenance, comparatively stiff. The live Louies was a blazing and expansive wall of sound, with impeccable time-keeping by Mr. Winant on maracas. The twin drums exploded immediately, and Bill’s riffing prodded Gumby’s Junk into some boisterous interplay. In the grand tradition of Kiss Alive, Frampton Comes Alive, Live at Leeds, or When the Shit Hits the Fans, Four Louies Live eclipses its studio predeccessor, and surely portends an attendant commercial breakthrough.” — ALAN LICHT\u003c\/p\u003e","brand":"Orcutt, Bill","offers":[{"title":"Black","offer_id":67871999361269,"sku":"FAKE 020","price":44.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/a1571712695_2.jpg?v=1793245125"},{"product_id":"orcuttbill-musicincontinuousmotion-lp","title":"Orcutt, Bill – Music In Continuous Motion LP","description":"\u003cp\u003eMusic in Continuous Motion, Bill Orcutt’s latest entry in his 21st-century repertoire of quartet guitar music, pointedly steps away from the cut-and-paste constructivism of Music for Four Guitars into a sonic stratum that's yearningly melodic, resolutely human, and built for performance. Conceived for a 2026 NYC concert, Music in Continuous Motion shares the concision of its predecessor -- but rather than the discrete, mechanistic precision of Music for Four Guitars, the tracks on Music in Continuous Motion unify — each song weaving four gleaming threads into the warp and weft of an evolving, complex texture that employs simple, repeating motifs to build new melodies from counterpoint itself. It accomplishes this in the most efficient manner possible: most of these 12 tracks hover around two-and-a-half minutes, each iterating first the substrate, then the melody and its variations, then slamming shut like a clockwork music box.\u003c\/p\u003e\n\n\u003cp\u003eBased on previous recorded evidence, Orcutt is fond of boundary conditions for his studio guitar records. Much of the time, his launchpad is obvious (The Four Louies, How to Rescue Things); with others, it’s intentionally obscured. When recruiting me to write about each release, he might send me a clue (“This is a bridge pickup record more than a neck pickup record,” Orcutt helpfully offered for Music for Four Guitars). Although any given dispatch is a potential red herring, up until now, each has implied an Oulipian conceit (however obtuse) that at least somewhat determines the outcome. Thus, I was a bit surprised by his statement on Music in Continuous Motion -- “The mystery of how [the] same person, same process, same gear produces different results.\" When pressed, he elaborated that the record features “no triplets,” something I’ve yet to count out to determine for myself.\u003c\/p\u003e\n\n\u003cp\u003eWhatever overarching form the recording process may have mapped out, the path of the finished album is explicitly poetic. Echoing its predecessor, the song titles, read in sequence, paint fleetingly-glimpsed forms -- but in contrast to the distant shapes described in Music For Four Guitars, the present narrative spotlights the dance of polygons momentarily grasped (and then lost) as they spin through space: “Because sharp also smooth,” “And warm to the touch,” “Now nearly gone,” “Yet always moving,” “Impossible to reach.” Ultimately, the key difference between the albums (and what places Music in Continuous Motion in the realm of poetry) is its celebration of movement over immutability, of melody over form, of music as a hot wire to the heart rather than another upped ante in an arms race of inscrutability. — TOM CARTER\u003c\/p\u003e","brand":"Orcutt, Bill","offers":[{"title":"Black","offer_id":67871999459573,"sku":"PAL 096","price":44.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/a2721088550_2.jpg?v=1793245126"},{"product_id":"pan-amerikan-native-front-howling-piercing-darkness-10-mlp","title":"Pan-Amerikan Native Front – Howling Piercing Darkness 10\" MLP","description":"\u003cp\u003eAfter 20 years since the Fall, the Nations of the western North take arms in a clash that became the Mixton War of 1540! 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Razor sharp guitar work, intense drumming and well-crafted songs are still there...only more concise, more vicious.\u003c\/p\u003e\n\n\u003cp\u003eDark Descent Records is honored to release the band's third album on July 24th, on CD\/vinyl and digital formats. Devotees of early Sepultura, Kreator, Pestilence and Sadus will find a lot to like on \"Towards Rebirth\".\u003c\/p\u003e","brand":"Ripper","offers":[{"title":"Default Title","offer_id":67871999656181,"sku":"DDR 356 CD","price":29.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/1986\/0725\/files\/a4014204996_2.jpg?v=1793245129"},{"product_id":"spirit-possession-cathedral-speech-cd","title":"Spirit Possession – Cathedral Speech CD","description":"\u003cp\u003eAfter three years and Ten Thousand Hells… Spirit Possession unleash their third Full Length album “Cathedral Speech”, to be released October 2nd from Profound Lore Records \/ Sepulchral Voice Records (EU). Seven attacking labyrinths of far venturing Black Heavy Metal, with all spires pointed down.\u003c\/p\u003e\n\n\u003cp\u003eWhere ‘Of the Sign…’ held a knifelike gaze into more erratic, adventurous hymns, “Cathedral Speech” sees Spirit Possession awaken their most piercing, deranged, and narratively epic form yet. Spiraling guitar storms and explosive drum batterings channel first wave Black\/Death assaults in the same breath as expansive 70s composition.\u003c\/p\u003e\n\n\u003cp\u003eWith Four steps into madness followed by a side long suite - These are vicious electric chants as towering as they are blasphemous.\u003c\/p\u003e\n\n\u003cp\u003eFeaturing S. Peacock ( Black Curse \/ Ulthar \/ Mastery ) on Strings and Vocals, and A. 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Seven attacking labyrinths of far venturing Black Heavy Metal, with all spires pointed down.\u003c\/p\u003e\n\n\u003cp\u003eWhere ‘Of the Sign…’ held a knifelike gaze into more erratic, adventurous hymns, “Cathedral Speech” sees Spirit Possession awaken their most piercing, deranged, and narratively epic form yet. Spiraling guitar storms and explosive drum batterings channel first wave Black\/Death assaults in the same breath as expansive 70s composition.\u003c\/p\u003e\n\n\u003cp\u003eWith Four steps into madness followed by a side long suite - These are vicious electric chants as towering as they are blasphemous.\u003c\/p\u003e\n\n\u003cp\u003eFeaturing S. Peacock ( Black Curse \/ Ulthar \/ Mastery ) on Strings and Vocals, and A. 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Your will? Your conscious mind? Your choice to remain open, alert, present? Or is it something just beyond your grasp: an obscure automatic process, quietly carrying you forward until it doesn’t?\u003c\/p\u003e\n\n\u003cp\u003eThese are the questions that haunt Wellness Plan, the second full-length album by Genital Shame, the solo project of musician Erin Dawson. Her music exists in a dissociative fog where terror, resignation, and determination become nearly impossible to separate. On Wellness Plan, Dawson widens that world, folding black metal and noise together with fragile moments of stillness.\u003c\/p\u003e\n\n\u003cp\u003eDawson’s approach is informed by a background in music education and classical guitar, which she brings to her own strange iteration of experimental music rooted in black metal.\u003c\/p\u003e\n\n\u003cp\u003eWellness Plan is harmonically dense, with riffs and melodies folding into one another in unexpected ways. 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